
I started my blog about Bruges a little more than two months ago and I have not shown you a photo of a lacemaker yet. Here is a nice one. Most all lace-boutiques have a lacemaker, working either on the sidewalk, in front of the store, or inside, to attract buyers. One could compare them with the Indians on some Reserve, who will don their traditional garb and execute a Rain dance to attract tourists and their money. However, contrary to so many traditions, as well as traditional occupations, lacemaking is still widely practised in Flanders, albeit often as a very popular hobby, with positively superb results. Have a look here
Claudette or here
Gisela. It still is mainly women's work. There are boys and men who do lacework, but they are a minority.
In the past, lacemaking in Flanders, and certainly in Bruges, was synonymous with earning one's daily bread. It meant an additional income, needed so families would not go hungry. The work was boring because it was generally an endless repetition of the same pattern. Most people actually would work 10 to 12 hours a day.
There were several Bruges lacemaker songs, named "tellers", because, as well as telling a story, they would also be a means of counting the movements of the bobbins, as well as setting a working rythm. In the lacemaking schools and workshops, the fastest lacemaker would be the one in charge of singing and, in this manner, impose a working rythm. Here is one such song, which gives a slight idea of the difficult life people had :
"Wandering towards a poor cottage
I have to go through streets where there are knives and swords.
I have to cross a bridge of glass
And ring a bell of flame and fire.
There is a witch who opens the door
And asks what I am looking for.
'T is here that I have to live."
The same words were repeated ten times.