Retro-Songteksten: Evergreens, Classics, Old-Time Favourites, Hits Uit Onze Jeugd
Dit blog (met dank aan seniorennet) is enkel voor NIET-commerciële doeleinden. Alle songteksten zijn uitsluitend eigendom van hun respectievelijke copyright eigenaars; dus ga de muziek kopen die je mooi vindt, zo steun je de artiest.
NON-profit, non-commercial blog, to help preserve the songs of our youth; hence for entertainment only. All lyrics are the copyright of their respective owners; you are encouraged to go buy their music.
Man On The Corner Composer(s): Phil Collins Performer(s): Genesis; Daryl Stuermer
See the lonely man there on the corner What he's waiting for, I don't know But he waits everyday now He's just waiting for something to show
And nobody knows him And nobody cares 'Cos there's no hiding place There's no hiding place - for you
Looking everywhere at no one He sees everything and nothing at all - oh When he shouts nobody listens Where he leads no one will go - oh
He's a lonely man, there on the corner What he's waiting for, I don't know But he waits everyday now He's just waiting for something to show - oh
Nobody knows him And nobody cares 'Cos there's no hiding place There's no hiding place - for you and me
Are we just like all the rest We're looking too hard for something he's got Or moving too fast to rest But like a monkey on your back you need it But do you love it enough to leave it - ah
Just like the lonely man there on the corner What he's waiting for, I don't know - oh But he waits every day now He's just waiting for that something to show - oh
Who's the lonely man there on the corner What he's waiting for, I don't know But he's there every day now And he's just waiting for something to show - oh
Who's the lonely man there on the corner What he's waiting for, I don't know Oh but he waits every day now He's just waiting for that something to show
Good morning, young master, it's 1882 Your mother is hungry, what will you do? There is bread in the kitchen of the big house upstairs But I warn you, don't take it from them
Na na na na, du du, du du, na na du You'll be tarred, you'll be feathered, you'll be hung like a ham And I warn you, don't do it, young man
Your mother is calling, she wants you by the bed So get up, young master, go shake your sleepy head "Darling son, I am dying, and I leave it to you I'm leaving, tell me, what did I do?"
Du du du, du du du, du du du, du du du I'm dying, tell me, what did I do?"
Boy, he steals the bread, now that's enough, and heads for the door Man, he hears him coming, "Boy, you won't be running no more" Boy, he gets arrested and the case is tested that day Judge, he guilty makes him and the jailer takes him away
Du du du du, du du du du du, du du du du Du du du du, du du du, du du du du du du Good night to the outlaw, but you want to be free Good morning, oh, it's late, too late again
1917 Composer(s): David Olney Performer(s): David Olney; Linda Rondstadt
The strange young man who comes to me A soldier on a three day spree Who needs one night's cheap ecstasy And a woman's arms to hide him He greets me with a courtly bow And hides his pain by acting proud He drinks too much and he laughs too loud How can I deny him?
Let us dance beneath the moon I'll sing to you "Claire de Lune' The morning always comes too soon But tonight the war is over
He speaks to me in schoolboy French Of a soldier's life inside a trench Of the look of death and the ghastly stench I do my best to please him
He puts two roses in a vase Two roses sadly out of place Like the gallant smile on his haggard face Playfully I tease him
Hold me 'neath the Paris skies Let's not talk of how or why Tomorrow's soon enough to die But tonight the war is over
We make love too hard too fast He falls asleep, his face a mask He wakes with the shakes and he drinks from his flask I put my arms around him
They die in the trenches and they die in the air In Belgium and France the dead are everywhere They die so fast there's no time to prepare A decent grave to surround them
Old world glory, old world fame The old world's gone, gone up in flames Nothing will ever be the same And nothing lasts forever
Oh I'd pray for him but I've forgotten how And there's nothing, nothing that can save him now There's always another with the same funny bow And who am I to deny them
Man Of Many Words Composer(s): Buddy Guy Originally performed by: Buddy Guy
I don't care what nobody say I'm a man of a many words I can speak things to you darlin' I do I can swear that you never heard I rap strong and I know it right along Come on mama let me turn you on Now come on Alright
When I grab my game and call your name You would never be the same In the midnight hours when you dream my darling I swear you will call my name I rap strong when I know it right along Come on mama let me turn you on Now come on
I was hauled off to jail late last night With no one to go my bail I rapped strong to the judge early this morning And the judge put the cops in jail I rap strong and I know it right along Come on mama let me turn you on Now come on Let me tell you about it baby I gotta tell you I'm gonna preach about it I want the world to know about it I want to know what you did to me Let me tell you Listen
Can you hear me I wanna know do you hear me now I gotta know do you hear me I wanna know do you need me Lord Lord Ohhhhhh, baby Let's talk about it Let me tell ya
1941 Composer(s): Harry Nilsson Performer(s): Harry Nilsson; Tom Northcott; Joel Grey
Well in nineteen-forty-one A happy father had a son And by nineteen-forty-four The father walked right out the door And in forty-five The mom and son were still alive But who could tell in forty-six If the two were to survive Well the years were passing quickly But not fast enough for him So he closed his eyes till fifty-five And he opened them up again When he looked around he saw a clown And the clown seemed very gay And he set that night to join That circus clown and run away
Yoh-dod-dle-doh-da-dat-un-dee-dee (Scat Solo)
Well he followed every railroad track And every highway sign And he had a girl in each new town And the towns he left behind And the open road Was the only road he knew But the colour of his dreams Slowly turned into blue Then he met a girl The kind of girl he wanted all his life She was soft and kind and good to him So he took her for a wife And they got a house not far from town And in a little while The girl had seen the doctor And she came home with a smile
Now in nineteen-sixty-one A happy father had a son And by nineteen-sixty-four The father walked right out the door And in sixty-five The mom and son were still around But what will happen to the boy When the circus comes to town
Man Made Paradise Composer(s): Freddie Mercury Performer(s): Freddie Mercury
I want to gaze into your eyes and see the fire in their glow But it's the same old story Want you to melt inside my arms like falling rain upon the snow But you say no, you say no Want you to help me through deep waters when my ship is in a storm Want you to give me all the power like a king on his throne But you don't care, you don't care History repeats itself, I seem to be all by myself again
Come into my life, it's a man made paradise Come into my life, it's a man made paradise Come into my life, it's a man made paradise Come into my life, it's a man made paradise, paradise
One day I'll look into your mind and understand which way to go But it's the same old story When you refuse me all the time I'm suicidal on my own But you don't know, you don't know I want to be beside you now, lie in the stand and kiss your brow I want to fly beyond the moon and do the things we do for love But you don't care, you don't care History repeats itself, I seem to be all by myself again
Come into my life, it's a man made paradise Come into my life, it's a man made paradise Come into my life, it's a man made paradise Come into my life, it's a man made paradise, paradise
I want to be beside you now, lie in the sand and kiss your brow I want to fly beyond the moon and do the things we do for love But you say no, you say no History repeats itself, I seem to be all by myself again
Man In The Mirror Composer(s): Siedah Garrett; Glen Ballard Performer(s): Michael Jackson
I'm gonna make a change for once im my life It's gonna feel real good gonna make a diference Gonna make it right...
As I, turn up the collar on my favorite winter coat This wind is blowing my mind I see the kids in the streets with not enought to eat Who am I to be blind? Pretending not to see their needs
A summer disregard,a broken bottle top And a one man soul They follow each other on the wind ya' know 'Cause they got nowhere to go That's why I want you to know
I'm starting with the man in the mirror I'm asking him to change his ways And no message could have been any clearer If you wanna make the world a better place (If you wanna make the world a better place) Take a look at yourself, and then make a change (Take a look at yourself, and then make a change) (Na na na, na na na, na na, na nah)
I've been a victim of a selfish kind of love It's time that I realize That there are some with no home, not a nickel to loan Could it be really me, pretending that they're not alone?
A willow deeply scarred, somebody's broken heart And a washed-out dream (Washed-out dream) They follow the pattern of the wind ya' see 'Cause they got no place to be That's why I'm starting with me (Starting with me!)
I'm starting with the man in the mirror (Ooh!) I'm asking him to change his ways (Ooh!) And no message could have been any clearer If you wanna make the world a better place (If you wanna make the world a better place) Take a look at yourself, and then make a change (Take a look at yourself, and then make a change)
I'm starting with the man in the mirror (Ooh!) I'm asking him to change his ways (Change his ways - ooh!) And no message could have been any clearer If you wanna make the world a better place Take a look at yourself and then make that.. (Take a look at yourself and then make that..) Change!
I'm starting with the man in the mirror (Man in the mirror - Oh yeah!) I'm asking him to change his ways (Better change!) No message could have been any clearer (If you wanna make the world a better place)
(Take a look at yourself and then make the change) (You gotta get it right, while you got the time) ('Cause when you close your heart) You can't close your... your mind! (Then you close your... mind!) That man, that man, that man, that man With the man in the mirror (Man in the mirror, oh yeah!) That man, that man, that man, I'm asking him to change his ways (Better change!) You know... that man No message could have been any clearer If you wanna make the world a better place (If you wanna make the world a better place) Take a look at yourself and then make the change (Take a look at yourself and then make the change) Hoo! Hoo! Hoo! Hoo! Hoo! Na na na, na na na, na na, na nah (Ooooh...) Oh no, no no...
I'm gonna make a change It's gonna feel real good! Come on! (Change...) Just lift yourself You know You've got to stop it Yourself! (Yeah! - Make that change!) I've got to make that change, today! Hoo! (Man in the mirror) You got to You got to not let yourself... brother Hoo! (Yeah! - Make that change!) You know - I've got to get that man, that man... (Man in the mirror) You've got to You've got to move! Come on! Come on! You got to... Stand up! Stand up! Stand up! (Yeah! - Make that change) Stand up and lift yourself, now! (Man in the mirror) Hoo! Hoo! Hoo! Aaow! (Yeah! - Make that change!) Gonna make that change... come on! You know it! You know it! You know it! You know it... (Change...) Make that change
1952 Vincent Black Lightning Composer(s): Richard Thompson Performer(s): Richard Thompson
Oh says Red Molly to James "That's a fine motorbike A girl could feel special on any such like" Says James to Red Molly "My hat's off to you It's a Vincent Black Lightning, 1952 And I've seen you at the corners and cafes it seems Red hair and black leather, my favourite colour scheme" And he pulled her on behind and down to Boxhill they did ride Oh says James to Red Molly "Here's a ring for your right hand But I'll tell you in earnest I'm a dangerous man For I've fought with the law since I was seventeen I robbed many a man to get my Vincent machine Now I'm 21 years, I might make 22 And I don't mind dying, but for the love of you And if fate should break my stride Then I'll give you my Vincent to ride"
"Come down, come down, Red Molly" called Sergeant McRae "For they've taken young James Adie for armed robbery Shotgun blast hit his chest, left nothing inside Oh come down, Red Molly to his dying bedside" When she came to the hospital, there wasn't much left He was running out of road, he was running out of breath But he smiled to see her cry He said "I'll give you my Vincent to ride"
Says James "In my opinion, there's nothing in this world Beats a 52 Vincent and a red headed girl Now Nortons and Indians and Greeves won't do Ah, they don't have a soul like a Vincent 52" Oh he reached for her hand and he slipped her the keys Said "I've got no further use for these I see angels on Ariels in leather and chrome Swooping down from heaven to carry me home" And he gave her one last kiss and died And he gave her his Vincent to ride
Man In The Mirror Composer(s): Dan Fogelberg Performer(s): Dan Fogelberg
The man in the mirror He keeps getting nearer But I am not moving The man in the backstreet Is holding a trackmeet But I will not run
Someplace inside you a Seed has been born You've got to watch it grow Someplace inside you A river is waiting to flow Will you let it go?
Those voices you're hearing Are never worth fearing They're only inside you They'll tempt you and taunt you They'll help you and haunt you But don't try to hide
Sometimes the sun will be Right at your shoulder Helping you keep your stride Sometimes you might have to give up A piece of your pride Have you even tried?
The man in the mirror He keeps getting nearer But I am not moving The man in the backstreet Is holding a trackmeet But I will not run
Someplace inside you a Seed has been born You've got to watch it grow Someplace inside you A river is waiting to flow Will you let it go?
1954 Boogie Blues Composer(s): Daryl Dragon Performer(s): Captain & Tennille
I wanta hear me some boogie played like I heard in 1954 I wanta hear me some boogie played like I heard in 1954 You know the way that Fats played the boogie You just don't hear that anymore
I was just a little thing when I heard it on the radio i was just a little thing when I heard it on the radio Jerry Lee and Little Richard You just don't hear that anymore
It was a rompin', stompin', finger-poppin' Good-time music for my soul And when the drums were talkin' and the bass went walkin' That started it Rock and Roll, oh!
I wanta hear me some boogie played like I heard in 1954 I wanta hear my Captain play some boogie now like I heard in 1954 You know the way my Captain plays the boogie You just don't hear that anymore
Like an inventor He is a symbol of a new age He glides above the realms Of you and me He flows through your life And makes you feel quite small You may sit up in your chair He doesnt care at all
Hes the man in the middle You can tell which way he lays Hes the man in the middle And he realises And he realises And he realises Beauty pays
His gowns come from paris Occasionally from rome He can go anywhere Say back to his home He flows through your life And makes you feel quite small Flashing to the white collars Ha, he doesnt care at all
Hes the man in the middle You can tell which way he lays Hes the man in the middle And he realises And he realises And he realises Beauty pays Please...
Hes the man in the middle You can tell which way he lays Hes the man in the middle And he realises And he realises And he realises Beauty pays
Hes the man in the middle You can tell which way he lays Hes the man in the middle And he realises And he realises And he realises Beauty pays Please...
1959 Composer(s): Gary Gentry Performer(s): John Anderson
Cigarettes were a quarter then bobby socks and jeans were in Elvis sang the songs that we loved so and the most important thing to us was keeping gas in my old truck so I could take us to the drive-in show
Then graduation finally came Uncle Sam called me away you married someone else while I was gone but I've kept your letter all these years and I can't help but shed a tear when I read the words you wrote me years ago
Baby I'm yours I'll love you always I'm gonna stand by you until the end of time remember all of the good things that we shared together signed love Betty nineteen fifty nine
I never will forget the day when you and I went all the way I was the first for you and you for me I've still got the truck that we loved in it takes me back there now and then back to fifty nine in my memory
Man In Black Composer(s): Johnny Cash Originally performed by: Johnny Cash
Well, you wonder why I always dress in black Why you never see bright colors on my back And why does my appearance seem to have a somber tone Well, there's a reason for the things that I have on
I wear the black for the poor and the beaten down Livin' in the hopeless, hungry side of town I wear it for the prisoner who has long paid for his crime But is there because he's a victim of the times
I wear the black for those who never read Or listened to the words that Jesus said About the road to happiness through love and charity Why, you'd think He's talking straight to you and me
Well, we're doin' mighty fine, I do suppose In our streak of lightnin' cars and fancy clothes But just so we're reminded of the ones who are held back Up front there ought 'a be a Man In Black
I wear it for the sick and lonely old For the reckless ones whose bad trip left them cold I wear the black in mournin' for the lives that could have been Each week we lose a hundred fine young men
And, I wear it for the thousands who have died Believen' that the Lord was on their side I wear it for another hundred thousand who have died Believen' that we all were on their side
Well, there's things that never will be right I know And things need changin' everywhere you go But 'til we start to make a move to make a few things right You'll never see me wear a suit of white
Ah, I'd love to wear a rainbow every day And tell the world that everything's OK But I'll try to carry off a little darkness on my back 'Till things are brighter, I'm the Man In Black
1960 Composer(s): Gerry Beckley Performer(s): America
How 'bout a tear for the year of 1960 I watched the fins of the Cadillac fall I remember Dad explained about the Berlin Wall
How 'bout a tear for the torment and the trouble That was brewing in the Asian way I wore a smile like the faces that surround L.A.
In the city of the lost and found It's hard to get a break Hard to stop from getting turned around And make the same mistakes
My reputation's on the line The final day of '59 But like the sun, just watch me shine Today
How 'bout a cheer for the piano virtuoso I practiced 61 minutes a day I could never reach the keys But it was all OK
How 'bout a cheer for the humour in my brother That could brighten up the darkest nights It's just another sign of love Whenever we would fight
It's all the same twenty years ago As it is right now Like a tour at the closing show When I take my bow
My reputation's on the line At the start of '79 But like the sun, just watch me shine Today I've played this part so many times Since the end of '59 But like the sun, just watch me shine Today
1964 Composer(s): Piazzola; Borges Performer(s): Juan Carlos Baglietto
Ya no sere felíz tal vez no importa hay tantas otras cosas en el mundo un instante cualquiera es mas profundo y diverso que el mar
La vida es corta y aunque las horas son tan largas una oscura maravilla nos asecha la muerte, ese otro mar esa otra flecha que nos libra del sol y de la luna y del amor
La dicha que me diste y me quitaste deben ser borradas lo que era todo tiene que ser nada solo me queda el goce de estar triste Esa vana costumbre que me inclina al sur a cierta puerta, a cierta esquina
Man From Galilee Composer(s): Joe Isaacs Performer(s): Ralph Stanley
Well do you know that man that rode on the mule Do you know that man that rode on the mule Do you know that man that rode on the mule He's the same man from down in Galilee He's the same man from down in Galilee
Well do you know that man that walked on the water Do you you know that man that healed the leper man Do you know that man that rode on the mule He's the same man from down in Galilee He's the same man from down in Galilee
I'm glad I know that man that walked on the water I'm glad I know that man that healed the leper man I'm glad I know that man that rode on the mule He's the same man from down in Galilee He's the same man from down in Galilee
Well now he's a different man that walked on the water He's a different man that healed the leper man He's a different man that rode on the mule He's the same man from down in Galilee He's the same man from down in Galilee
Well do you know that man that rode on the mule Do you know that man that rode on the mule Do you know that man that rode on the mule He's the same man from down in Galilee He's the same man from down in Galilee
1969 Composer(s): Dave Alexander Performer(s): Iggy Pop
Well it's 1969 okay All across the USA It's another year For me and you Another year With nothin' to do Last year I was 21 I didn't have a lot of fun And now I'm gonna be 22 I say oh my and boo hoo Now I'm gonna be 22 I say oh my and boo hoo It's 1969 okay All across the USA It's another year For me and you Another year With nothin' to do Another year With nothin' to do It's 1969 baby
Man And Woman Composer(s): Jay Livingstone; Ray Evans Performer(s): Rosemary Clooney & Bing Crosby
Both: A man or a woman, we all will agree To make life worth living is necessary
Rosemary: A man is a creature we cant overlook As easy to read as a page in a book Hell boast and hell brag of the women he spurned But just like a doorknob his head can be turned
A man oh a man any woman will say Whatever he is, we like him that way
Bing: A woman is something both evil and good But too complicated to be understood An angel when loving, a devil when mad A woman can make you both happy and sad
A woman, a woman, oh what can she be Whatever she is, shes necessary
Rosemary: Complains that hes henpecked and treated so bad But if hes ignored, then hell holler like mad He knows all the methods of landing a fish But still cant be trusted at drying a dish
Uh-huh, (uh-huh), uh-huh, (uh-huh), mm-mm, (mm-mm), mm-mm, (mm-mm) A man, oh a man, any woman will say Whatever he is, we like him that way
Bing: Afraid of a cricket, shell scream at a mouse But shell tackle a husband as big as a house Shell take him for better, shell take him for worse Shell bust his head open and then be his nurse