Retro-Songteksten: Evergreens, Classics, Old-Time Favourites, Hits Uit Onze Jeugd
Dit blog (met dank aan seniorennet) is enkel voor NIET-commerciële doeleinden. Alle songteksten zijn uitsluitend eigendom van hun respectievelijke copyright eigenaars; dus ga de muziek kopen die je mooi vindt, zo steun je de artiest.
NON-profit, non-commercial blog, to help preserve the songs of our youth; hence for entertainment only. All lyrics are the copyright of their respective owners; you are encouraged to go buy their music.
The Masquerade Composer(s): Paul Francis Webster - John Jacob Loeb Performer(s): Arthur Tracy and multiple other artists
Sometime soon to be, theres a lovers moon to be And a lovers tune to be born No more will I be forlorn I whisper softly till morn I want you to kiss, for there must be two to kiss Moments are so few to kiss now So neath a sycamore bough Meet me there, oh, greet me there somehow
Twilight soon will fade Ill meet you at the masquerade While our hearts are swinging To violins singing till dawn
Lady dressed in jade Hold me tight at the masquerade If the music halts, dear Then my heart will waltz Dear, right on
Twelve oclock is chiming On the clock above Now if youll unmask your heart Ill love you, love you
Midnight shadows fade No one else at the masquerade Everything is through, dear But my love for you, dear, lives on
Child, Child
Composer(s): Erik Darling - P. Street
Performer(s): Erik Darling
When you were a child, child Did you want to be listened to? When you were a child, child When you were a child? When you were a child, child Did you want to be hugged awhile? When you were a child, child When you were a child?
And Bonnie, did they ever tell you You were important? Johnny, did they ever tell you When you were a child? What you thought and what you wanted Should be fought for all undaunted Did anybody ever tell you When you were a child?
Reason To Believe Composer(s): Tim Hardin Performer(s): Tim Hardin
If I listen long enough to you I'd find the way to believe that it's all true Knowing that you lied straight faced while I cried Still I looked to find the reason to believe
Someone like you makes it hard To live without somebody else Someone like you makes it easy to give Never thinking of myself
If you took the time to change my mind I'd find the way to leave the past behind Knowing that you lied straight faced while I cried Still I looked to find the reason to believe
The Masochism Tango Composer(s): Tom Lehrer Performer(s): Tom Lehrer; Anne Pringle; Mark Burnell
I ache for the touch of your lips, Dear But much more for the touch of your whips, Dear You can raise welts like nobody else As we dance to the Masochism Tango
Let our love be a flame, not an ember Say it's me that you want to dismember Blacken my eye, set fire to my tie As we dance to the Masochism Tango
At your command, before you here I stand My heart is in my hand Ecch! It's here that I must be My heart entreats Just hear those savage beats And go put on your cleats And come and trample me Your heart is hard as stone or mahogany That's why I'm in such exquisite agony
My soul is on fire It's aflame with desire Which is why I perspire When we tango
You caught my nose In your left castanet, Love I can feel the pain yet, Love Every time I hear drums And I envy the rose That you held in your teeth, Love With the thorns underneath, Love Sticking into your gums
Your eyes cast a spell that bewitches The last time I needed twenty stitches To sew up the gash that you made with your lash As we danced to the Masochism Tango
Bash in my brain And make me scream with pain Then kick me once again And say we'll never part I know too well I'm underneath your spell So, Darling, if you smell Something burning, it's my heart Excuse me!
Take your cigarette from its holder And burn your initials in my shoulder Fracture my spine, and swear that you're mine As we dance to the Masochism Tango
Child Star Composer(s): Marc Bolan Performer(s): T. Rex and various other artists
Mountain eyes, peeping out of his head Sipping tea composing in his bed A hundred hands working on a musical of old Debussy and Mendlessohn Handel and Dvorak of old Child star protege of Mister Gormez Who said you'd go far Child star, they do not see just what a precious gem you'd be Sad to see them watching you fade into invisibility
Twelve years old, your elvish fingers kiss your Beethoven hair The awesome people stare They're unaware of all the angel sounds they see and hear Debussy and Mendlessohn Handel and Dvorak of old Child star protege of Mister Gormez Who said you'd go far Child star and when you died at just thirteen they wept and wrung their hair Sad to see them mourning you when you are there Within the flowers and the trees
Really Wanna Know You Composer(s): Ali Thomson; Gary Wright Performer(s): Gary Wright
I don't mind being lonely But I do mind if not being loved Maybe you're feeling the same way too You're ready to hold some one
(chorus)
I really wanna know you I really wanna show you the way I feel I really wanna know you I really wanna show you the way I feel
Something about you is telling me We're coming from the very same place It's only just a notion I have (but) I see it written over your face
(repeat chorus)
(***) you've got something about you that I want around me Something I've been searching all my life through So now it's up to you, yeah, yeah Tell me what you're gonna do I wanna know yeah yeah yeah
Everytime I see you it's the same thing all over again You're doing something to me it's true And I don't want to fell it end
The Mask Composer(s): Roger Glover - J. Roussel Performer(s): Roger Glover
It's later on a Wednesday, the sun is going down I'm standing naked by a swimming pool, there's no one around My imagination wanders back, red dust is always there We lay together in the jungle, and love was in the air
As I dive into the water, both time and motion freeze I'm hanging there suspended like a feather in the breeze Below is your reflection, like an image from the past But I can't be sure if it's really you, 'cause you're wearing a tribal mask
Take it off, take off the mask Take it off, take off the mask Take it off, take off the mask Take it off, take off the mask
There is no way of knowing how long I must remain Dangling like a statue, and whispering your name But suddenly it's over, and I begin to fall But the swimming pool is empty now, no water there at all
I find myself in a room, empty and it's bare With nothing but a mirror, and I know you're waiting there I'm looking for an answer, but I don't know who to ask I see my own reflection, but this time, I got the mask
I can't take it, I can't take it I can't take it, I can't take it
Take it off, take off the mask Take it off, take off the mask Take it off, take off the mask Take it off, take off the mask
Ah I can't take it, no I can't take it, no, no I can't take it, I can't take it I can't take it, no, no, no
Take it off, take off the mask Take it off, take off the mask Take it off, take off the mask Take it off, take off the mask Take it off, take off the mask Take it off, take off the mask Take it off, take off the mask Take it off, take off the mask
Child Of The 50's Composer(s): Don Reid Performer(s): The Statler Brothers
Don: I grew up a child of the 50s Learned to dance to the beat of rock & roll Television was my friend I Love Lucy, Rin Tin Tin Kissed my first girl when I was 10 years old
Phil: Took a turn for the worse in the 60s Saw some real people die on TV I learned love's hard cold facts Paid my first income tax One small step for the man I'm gonna be
I'll never feel bad 'bout the times that we had I'll never look back in regret The heaven you gave I will treasure and save 'Cause it might be as close as I get
Lew: The 70s were 10 years of reruns News of Watergate was nothin' new The Democrats got it, we fell in love again When Elvis died, we all knew that we could too
Harold: Now I'm facin' the most of the 80s Old enough to run for President It's hard to think it's me, the father of 3 Oh America, I don't know where it went
I'll never feel bad 'bout the times that we had I'll never look back in regret The heaven you gave I will treasure and save 'Cause it might be as close as I get
The heaven you gave I will treasure and save 'Cause it might be as close as I get
Really Waltzing Composer(s): Peter Myers; Ronnie Cass Performer(s): Cliff Richard & Michael Sammes Singers
Cliff: Is...this...me here, really waltzing? Is this me here, being so square? Although I know this kind of mu-sic Makes me sick and you sick Still I'm aware...
Yeah, it's me here, really waltzing To a Viennese one-two-three And if you'll pardon me the simile I'm a Romberg and Frim'l-y (??) How can this be me?
Bass Voice (mock Austrian accent): I've got zee urge to vear short leather trousers And dance za vay Strauss-es made their mous-es
Cliff joins in (with mock accent): Give me some frau-ses dressed up in cute blouses Helping their spouses tie bells on their cows-es
Cliff (with accent): Oh... here I'm really waltzing Though I shudder at the idea And though I really should know better Here am I in operetta Really waltzing here
Cliff & Full Chorus: And...so...we're here, really waltzing As we take our partners and bow We say "a plague upon the houses of all the three Strausses" But, all the same, we must kow-tow To the rhythm, catchy rhythm For the violins play and we've got to go with 'em Yes, we're waltzing, really waltzing Look at us, really waltzing...now!
The Martins And The Coys Composer(s): Alan Cameron - Ted Weems Performer(s): Gene Autry
Gather 'round me children and I'll tell a story Of the mountains and the days when guns was law When two fam'lies got to feudin' It was bound to end in shootin' So just listen close, I'll tell you what I saw
Oh, the Martins and the Coys they were reckless mountain boys And they took up family feudin' when they'd meet They would shoot each other quicker Than it took your eye to flicker They could knock a squirrel's eye out at ninety feet
All this fightin' started out one sunday morning When old grandpa Coy was full of mountain dew Just as quite as a churchmouse, he stole in the Martin's henhouse 'Cause the Coys they needed eggs for breakfast, too
Oh, The Martins and the Coys, they were reckless mountain boys Coz old grandpa Coy's gone where angels live When they found him on the mountain He was bleedin' like a fountain 'Cause they punctured him 'til he looked like a sieve
After that they started out to fight in earnest And they scarred the mountains up with shot and shell There was uncles, brothers, cousins Why they bumped them off by dozens Just how many bit the dust is hard to tell
Oh, The Martins and the Coys, they were reckless mountain boys At the art of killin' they become quite deft They all know'd they shouldn't do it But before they hardly knew it On each side they only had one person left
Now the sole remainin' Martin was a maiden And as purty as a picture was this Grace While the one survivin' boy was the handsome Henry Coy And the folks all knew they'd soon meet face to face
Oh, The Martins and the Coys, they were reckless mountain boys But their shootin' and their killin' sure played [hob] And it didn't bring no joy to know that Grace and Henry Coy Both had sworn that they would finish up the job
So, they finally met upon a mountain pathway And young Henry Coy he aimed his gun at Grace He was set to pull the trigger, when he saw her purty figure You could see that love had kicked him in the face
Oh, The Martins and the Coys, they were reckless mountain boys But they say their ghostly cussin' gives them chills But the hatchet sure was buried, when sweet Grace and Henry married It broke up the best durn feud in these here hills
You may think this is where the story ended But I'm tellin' you the ghosts don't cuss no more 'Cause since Grace and Henry wedded They fight worse than all the rest did And they carry on the feud just like before
Child Of Mine
Composer(s): Gerry Goffin - Carole King - Bill Staines
Performer(s): Carole King
and multiple other artists
Although you see the world Different that me Sometimes I can touch upon The wonders that you see All the new colours In pictures you've designed Oh yes sweet darling So glad you are a child of mine Child of mine, child of mine Oh yes sweet darling So glad you are a child of mine You don't need direction You know which way to go And I don't want to hold you back I just want to watch you grow You're the one who taught me You don't have to look behind
Oh yes sweet darling So glad you are a child of mine Child of mine, child of mine Oh yes sweet darling So glad you are a child of mine
Nobody's gonna to kill your dreams Or tell you how to live your life The'll always be people To make it hard for awhile But you'll change their heads When they see you smile
The times you were born in May not have been the best But you can live the times to come Better than the rest I know you will be honest If you can't always be kind
Oh yes sweet darling So glad you are a child of mine Child of mine, child of mine Oh yes sweet darling So glad you are a child of mine
Estou vendendo um realejo Quem vai levar Quem vai levar Já vendi tanta alegria Vendi sonhos a varejo Ninguém mais quer hoje em dia Acreditar no realejo Sua sorte, seu desejo Ninguém mais veio tirar Então eu vendo o realejo Quem vai levar
Estou vendendo um realejo Quem vai levar Quem vai levar Quando eu punha na calçada Sua valsa encantadora Vinha moça apaixonada Vinha moça casadoura Hoje em dia já não vejo Serventia em seu cantar Então eu vendo o realejo Quem vai levar
Estou vendendo um realejo Quem vai levar Quem vai levar Quem comprar leva consigo Todo encanto que ele traz Leva o mar, a amada, o amigo O ouro, a prata, o praça, a paz E ded quebra leva o harpejo De sua valsa se agradar Estou vendendo um realejo Quem vai levar Quem vai levar
The Marriage Machine Composer(s): Gilbert O'Sullivan Performer(s): Gilbert O'Sullivan
There will be days We'll be in each other's way Down each others throats Like you wouldn't believe But then who was it said Married life begins in bed And ends up somewhat disparagingly
You say to me that you love me truly I say to you likewise I feel just the same But then who really knows When two people get that close That their feelings to each other Won't change
I'll kiss you and then I'll kiss you once again And pray to God once we get married there (there) Just won't come a time When we'll wish we'll have changed our minds A problem to end all our dreams
I'll kiss you and then I'll kiss you once again And pray to God once we get married there (there) Just won't come a time When we'll wish we'll have changed our minds A problem to end all our dreams
So there will be days We'll be in each other ways Down each others throats Just you wait and see But don't be upset After all that's what you get When you become part of The Marriage Machine Part of The Marriage Machine
Child Of Innocence
Composer(s): Kerry Livgren
Performer(s): Kansas; Falconer
Sweet child of innocence
Living in the present tense
Father Time will take his toll
Rack your body and steal your soul
What became of all the years
Are you drowning in your tears
Who will catch you when you fall
Who will hear you when you call
I will comfort you, take your hand and see you through
I will take you through the door
Who do you think you are
Try to live forever and you won't get far
I wait behind your door
Makes no difference if you're rich or poor
Though you're weary and afraid
Still you try to flee my blade
Come and walk in my new land
If you'll only take my hand
In the image of those who have walked before me here
I am cast in the web of an ancient spell
I am holding on to life, I'm drifting in the stream
Everything's much clearer now
We live within a dream and never wake
Judge not by what you see
More than you can count are here with me
Give up your foolish pride
All that walk the earth have died!
Her Mantle So Green (aka The Mantle So Green) (Traditional) Performer(s): Sinead O'Connor and multiple other artists
As I went out walking one morning in June To view the fair fields and the valleys in bloom I spied a pretty fair maid she appeared like a queen With her costly fine robes and her mantle so green
Says I, "My pretty fair maid, won't you come with me We'll both join in wedlock, and married we'll be I'll dress you in fine linen, you'll appear like a queen With your costly fine robes and your mantle so green"
Says she now, "You Young man, you must be excused For I'll wed with no man, you must be refused To the green woods I will wander to shun all men's view For the lad that I love fell in famed Waterloo"
"O, then, if you won't marry, tell me your love's name For I being in battle, I might know the same" "Draw near to my garment and there will be seen His name is embroidered on my mantle so green"
In raising her mantle there I did behold His name and his surname in letters of gold Young William O'Reilly appeared in my view He was my chief comrade back in famed Waterloo
But when he was dying I heard his last cry 'If you were here, Lovely Nancy, contented I'd die' Now Peace is proclaimed, and the truth I declare Here is your love token, the gold ring I wear"
O, Nancy, dear Nancy, 'tis I won your heart In your father's garden that day we did part Now the wars are all over, no trouble is seen And I'll wed with my true love in her mantle so green"
Child Of Flames Composer(s): J.J. Maus Performer(s): The Walker Brothers
you can't reveal the future fades the terror's near the granite blades something wakes moves and shifts the contacts made the shot that lifts how long can you survive with a child of flames how long can you survive with a child of flames through each time the thing still moves the golden axe the pounding hooves you hear the sound the naked shakes start to count the balance breaks how long can you survive with a child of flames how long can you survive with a child of flames
Real Thing Composer(s): Armstead Performer(s): Kim D
A change has come over me My heart beats impatiently I just cant wait til tonight 'Cause I know hes gonna hold me tight And it looks to me like this could be The real thing Well, it looks to me like this could be The real thing
Lately Ive been acting strange In my eyes theres been a change I just didnt know how sweet he was And Im so glad to be in love And it looks to me like this could be The real thing Well, it looks to me like this could be The real thing
I keep walking round and round Talking about the love I found I get such a feeling My head keeps reeling Im so absent-minded But really I dont mind it
Cause it looks to me like this could be Well it looks to me like this could be Well, it looks to me like this could be The real thing
Every time you call me honey I start to act then funny When you hold me, I feel so good And you know you kiss me like you should
And it looks to me like this could be The real thing Well, it looks to me like this could be Well, it looks to me like this could be Well, it looks to me like this could be The real thing
The Man's Too Strong Composer(s): Mark Knopfler Performer(s): Dire Straits
I'm just an ageing drummer boy And in the wars I used to play And I've called the tune To many a torture session Now they say I am a war criminal And I'm fading away Father please her my confession
I have legalised robbery Called it a belief I have run with the money And hid like a theif I have re-written history With my armies and my crooks Invented memories I did burn all the books And I can still hear his laughter And I can still hear his song The man's too big The man's too strong
Well I have tried to be meek And I have tried to be mild But I spat like a woman And sulked like a child I have lived behind walls That have made me alone Striven for peace Which I have never known And I can still hear his laughter And I can still hear his song The man's too big The man's too strong
Well the sun rose on the courtyard And they all did hear him say 'You always were a Judas But I got you anyway You may have got your silver But I swear upon my life Your sister gave me diamonds And I gave them to your wife' Oh father please help me For I have done wrong The man's too big The man's too strong
Child Of Clay
Composer(s): Jimmy Curtiss - Ernie Maresca
Performer(s): Jimmie F. Rodgers; Marc Almond; P.J. Proby
Into the darkness he was sent by parents' Who were ignorant hm, hm Tied down to his mother's strings Unable to be anything hm, hm Puzzled by the things he hears The father thinking work comes first Ain't got the time to quench a thirst No, no, no, no, no, no, no, no No, no, no, no, no, no, no, no Once he was a child, a beautiful child A child of clay shaped and molded Into what he is today But who is to blame for this child of clay
Going out into the street at night The answers he may meet hm hm With sick and twisted minds He shares the searching questions His heart bears hm hm And from the dregs The answers find their way into his supple mind In time the planted seeds will grow Into a twisted vine below No, no, no, no, no, no, no No, no, no, no, no, no, no
And now his aimless days begin To drift into sordid sin hm, hm And soon his dislike turns to hate As the stamp of life seals his fate hm, hm and so the night conceals his name And the days sleep off his shame Deprived of love and wrought by fear A feeling that the end is near No, no, no, no, no, no, no, no No, no, no, no, no, no, no