So Long, Farewell  
Composer(s): Richard Rodgers - Oscar Hammerstein II
First performance/First release by: Mary Martin & Theodore Bikel - 1959
Covered by multiple other artists



Children:
There's a sad sort of clanging from the clock in the hall
And the bells in the steeple too
And up in the nursery an absurd little bird
Is popping out to say "cuckoo"
Marta, Gretl, Brigitta:
Cuckoo, cuckoo

Children: Marta, Gretl, Brigitta:
Regretfully they tell us  
Cuckoo, cuckoo 
But firmly they compel us    
Cuckoo, cuckoo 
To say goodbye...
Marta, Gretl, Brigitta:
Cuckoo!

Children:
... to you

Children:
So long, farewell, auf Wiedersehen, good night

Marta:
I hate to go and leave this pretty sight

Children:
So long, farewell, auf Wiedersehen, adieu

Friedrich:
Adieu, adieu, to yieu and yieu and yieu

Children:
So long, farewell, au revoir, auf wiedersehen

Liesl:
I'd like to stay and taste my first champagne

Children:
So long, farewell, auf Wiedersehen, goodbye

Kurt:
I leave and heave a sigh and say goodbye -- Goodbye!

Brigitta:
I'm glad to go, I cannot tell a lie

Louisa:
I flit, I float, I fleetly flee, I fly

Gretl:
The sun has gone to bed and so must I

Children:
So long, farewell, auf Wiedersehen, goodbye
Goodbye, goodbye, goodbye

Guests:
Goodbye!

The Silent Sun
Composer(s): Peter Gabriel - Tony Banks
Performer(s): Genesis



The silent sun that never shines 
She is the warmth of my lonely heart 
The motion of a turning wheel 
Can't you stop it and look around? 

Baby you feel so close 
I wish you could see my love
Baby you've changed my life 
I'm trying to show you...

A tiny stone that hides from me 
Can't you see that I'm just outside? 
A mountain stream that chills the sea 
Can't you feel in your useless pride? 

Baby you feel so close 
I wish you could see my love 
Baby you've changed my life 
I'm trying to show you... 

When night reveals a star-filled shy 
I want to hold it in my hands 
When snowflakes heal the ugly ground 
Your beauty hides the joy I've found 

Baby you feel so close 
I wish you could see my love 
Baby you've changed my life 
I'm trying to show you...

Cold Grey Light Of Dawn
Composer(s): Ivory Joe Hunter
Performer(s): Nick Lowe;
Ivory Joe Hunter; Charlie Musselwhite



That old alarm clock gives a yell
starting another day in hell
passing a world I can't face with you gone
in the mirror I see
someone to choose to be me
and I turn blue in the cold grey light of dawn
The Neon light and the jukebox
help to ease me through the night
I lean hard on the bottle
'til I no longer stand up right
in the morning in my room
I'm like a body in a tomb
Those same three walls keep coming on
kind of strong
Down the freeway when I drive
more dead than alive
and I turn blue in the cold grey light of dawn
The Neon light and the jukebox
help to ease me through the night
I lean hard on the bottle
'til I no longer stand up right
in the morning in my room
I feel like a body in a tomb
Those same three walls keep coming on
kind of strong
Down the freeway then I drive
more dead than alive
and I turn blue in the cold grey light of dawn
I turn blue in the cold grey light of dawn

Riding In The TT Races
Composer(s): Gifford Cliffe
Performer(s): George Formby



If there’s one thing that I like
it's riding around on a motor-bike
I'm a speed king, when I once begin
I once won first prize two and six, I know all the dirt track dirty tricks
I'm a marvel when I'm out to win
In a fifty mile race I am the best, I ride five miles and skid the rest

So come along and see me riding in the T.T. races
Easier than hop scotch, beating all the top notch aces
I've been riding all my life, I started quite small
I've ridden fairy cycles, aye, and scooters and all
Hear the people cheer me when they see me steering backwards
Down the hill I go at break-neck speed
See me coming down the street with the winning post on the pillion seat
Oh! Come along and see me riding in the T.T. race

Come along and see me riding in the T.T. races
Easier than hop scotch, beating all the top notch aces
Once my bike was hard to ride, but I didn't mind
Until I found they'd hitched a charabanc on behind
Everybody's scaring, I am such a daring rider
My inside rattles when I go the pace
My ribs begin to shake about, there's all my spare parts sticking out
So come along and see me riding in the T.T. race

Alternative ending:
With my gears in reverse, the other way round I'll finish first
Oh! Come along and see me riding in the T.T. race

The Lonely Goatherd
Composer(s): Richard Rodgers - Oscar Hammerstein II
First release by: Mary Martin - 1959
Covered by multiple other artists



Maria:
High on a hill was a lonely goatherd
Lay ee odl lay ee odl lay hee hoo
Loud was the voice of the lonely goatherd
Lay ee odl lay ee odl-oo
Folks in a town that was quite remote heard
Lay ee odl lay ee odl lay hee hoo
Lusty and clear from the goatherd's throat heard
Lay ee odl lay ee odl-oo
the Children:
O ho lay dee odl lee o, o ho lay dee odl ay
O ho lay dee odl lee o, lay dee odl lee o lay
Maria:
A prince on the bridge of a castle moat heard
Lay ee odl lay ee odl lay hee hoo
Kurt:
Men on a road with a load to tote heard
Lay ee odl lay ee odl-oo
the Children:
Men in the midst of a table d'hote heard
Lay ee odl lay ee odl lay hee hoo
Maria:
Men drinking beer with the foam afloat heard
Lay ee odl lay ee odl-oo
One little girl in a pale pink coat heard
Lay ee odl lay ee odl lay hee hoo
Brigitta:
She yodeled back to the lonely goatherd
Lay ee odl lay ee odl-oo
Maria:
Soon her Mama with a gleaming gloat heard
Lay ee odl lay ee odl lay hee hoo
What a duet for a girl and goatherd
Maria and the Children:
Lay ee odl lay ee odl-oo
Maria and the Children:
Ummm (ummm)...
Odl lay ee (odl lay ee)
Odl lay hee hee (odl lay hee hee)
Odl lay ee...
... yodeling...
Child:
One little girl in a pale pink coat heard
Maria:
Lay ee odl lay ee odl lay hoo hoo
Child:
She yodeled back to the lonely goatherd
Maria:
Lay ee odl lay ee odl-oo
Maria:
Soon her Mama with a gleaming gloat heard
Lay ee odl lay ee odl lay hmm hmm
What a duet for a girl and goatherd
Lay ee odl lay ee odl-oo
Maria and the Children:
Happy are they lay dee olay dee lee o...
... yodeling...
Soon the duet will become a trio
Maria:
Lay ee odl lay ee odl-oo
Maria and the Children:
Odl lay ee, old lay ee
Odl lay hee hee, odl lay ee
Odl lay odl lay, odl lay odl lee, odl lay odl lee
Odl lay odl lay odl lay
the Children:
Hoo!

The Sierry Petes
Composer(s): Gail Gardner - Bill Simon
Performer(s): Don Edwards



Away up high in the Sierry Petes
Where the yeller pines grows tall
Ole Sandy Bob an' Buster Jig
Had a rodeer camp last fall

Oh, they taken their hosses and runnin' irons
And mabbe a dawg or two
An' they 'lowed they'd brand all the long-yered calves
That come within their view

And any old doggie that flapped long yeres
An' didn't bush up by day
Got his long yeres whittled an' his old hide scorched
In a most artistic way

Now one fine day ole Sandy Bob
He throwed his seago down
"I'm sick of this cow-pyrography
And I 'lows I'm a-goin' to town"

So they saddles up an' hits 'em a lope
Fer it warnt no sight of a ride
And them was the days when a Buckeroo
Could ile up his inside

Oh, they starts her in at the Kaintucky Bar
At the head of Whisky Row
And they winds up down by the Depot House
Some forty drinks below

They then sets up and turns around
And goes her the other way
An' to tell you the Gawd-forsaken truth
Them boys got stewed that day

As they was a-ridin' back to camp
A-packin' a pretty good load
Who should they meet but the Devil himself
A-prancin' down the road

Sez he, "You ornery cowboy skunks
You'd better hunt yer holes
Fer I've come up from Hell's Rim Rock
To gather in yer souls"

Sez Sandy Bob, "Old Devil be damned
We boys is kinda tight
But you ain't a-goin' to gather no cowboy souls
'Thout you has some kind of a fight"

So Sandy Bob punched a hole in his rope
And he swang her straight and true
He lapped it on to the Devil's horns
An' he taken his dallies too

Now Buster jig was a riata man
With his gut-line coiled up neat
So he shaken her out an' he built him a loop
An' he lassed the Devil's hind feet

Oh, they stretched him out an' they tailed him down
While the irons was a-gettin hot
They cropped and swaller-forked his yeres
Then they branded him up a lot

They pruned him up with a de-hornin' saw
An' they knotted his tail fer a joke
They then rid off and left him there
Necked to a Black-Jack oak

If you're ever up high in the Sierry Petes
An' you hear one Hell of a wail
You'll know it's that Devil a-bellerin' around
About them knots in his tail

Cold Enough To Snow
Performer(s): Jennifer Warnes



Where did summer go?
How'd I miss the change of season?
All at once the wind blows rough
It's cold enough to snow

In the street below
People laugh, they got no reason
Don't they know it's cold enough to snow

When we were together
And you were staying
Funny but the weather still felt like May in did-December
Now the chill winds blow, sunny skies they're only teasing
You won't show, it's cold enough to snow

On the radio, there's a man says 
'it ain't freezing'
What's he know? He didn't watch you go

Now the sun can't shine
If it wants to, fine
But it's cold enough to snow

Ridin' My Thumb To Mexico
Composer(s): Johnny Rodriguez
Performer(s): Johnny Rodriguez;
Bluegrass Etc.; Bill Emerson



This old highway seems so lonesome
when you're going where you've been
And the lonesome song will make you cry time and time again
If I had listened to a friend of mine ten years ago today
I'd have a better job than what I've got today

But the billboards on the highway and the brake-lights on the cars
Make me jump out on the highway with my bag and my guitar
If she comes or if she goes it doesn't matter anymore
'cause I'm ridin' my thumb to Mexico

Chorus: Ridin' my thumb to Mexico
Well it don't matter when or how I go
I'll ride this thumb till I see her again
So I'm ridin' my thumb to Mexico

Well the reason why she left me's not the reason that I'm here
I'm a travellin' kind of man just need a change of atmosphere
If there's any place I haven't been at all that's where I'll go
So I'm ridin' my thumb to Mexico

Do-Re-Mi  
((Adapted from: Do-Re-Mi (English Version) (Mary Martin) - 1959))
Composer(s): Richard Rodgers - Oscar Hammerstein II - Louis Dusée 
Performer(s): Paul de Leeuw met De Kinderen von Trapp - 1993



G=Grunter, Pu=Publiek, P=Paul, K=Koor, C=Cor, Ki=Kind, A=Adolf

P: 
Oh, wat zie ik daar? Wat zie ik daar? Ik zie zeven nukkige kindertjes 
Hallo nukkige kindertjes
Waarom nukken jullie? Warum Nuchten deinen kinder? Haben sie... Kunnen sie kein hollandisch praten? Hehehe 
Kunnen sie zingen?

K: Nee
P: Nein, aber willen sie lernen zingen?
K: ja
P: Solte ich das die kindern lernen? Ja? Is gut
K: Ja

P: 
Goed 
Euh Cor, ze willen leren zingen 
Heb jij een idee? Wat zeg je Cor? Heb je een idee?
Okee

P: 
Ik weet niet wat je wilt hoor Cor 
Vertel eens, wat heb je voor een idee?

C: 
Do-re-mi

P:
Do-re-mi, oh wat leuk 
Komt ook goed uit dat jullie zulke pakjes aanhebben, he
Do
Laten we bij 't begin beginnen 
Dat is steeds een goed begin 
Als je leest dan begin je met...

K: A,B,C
P: Als je zingt dan begin je met do en re
K: Do en re?

P: 
do en re 
En na die twee komt nummero drie, do-re-mi

K: Do-re-mi?

P: 
Do-re-mi-fa-sol-la-tie
Cor, ze zijn te dom 
Oooohhhh, weet je iets makkelijkers Cor? Okee

P: 
Wat wil je dan? Wat wil je dan? Wat, ik begrijp het niet 
Wat wil je dan? Oh, do-re-mi 
Okee
Bedankt

Do, een doos waarop je een deksel doet
Re, die vind je in het woud
Mier, die steeds maar werken moet
Fader, waar je veel van houdt
Sal, ik zal hem dan maar wat
La, die zit in een bureau
Si, ik zie dan dit en dat
En dat brengt ons weer bij Do!!

K: Doos
P: Waarop je een deksel doet
K: Re
P: Die vind je in het woud
K: Mier
P: Die steeds maar werken moet
K: Fa
P: -der waar je veel van houdt

P+K: 
Sal, ik zal hem dan maar wat

La, die zit in een bureau
Sie, ik zie dan dit en dat
En dat brengt ons weer naar Do

K: Doos, waarop je een deksel doet
Re, die vind je in het woud
Mier, die steeds maar werken moet
Fader, waar je veel van houdt

P+K: 
Sal, ik zal hem dan maar wat
La, die zit in een bureau
Si, ik zie dan dit en dat
En dat brengt ons weer naar do
Do- re-mi-fa-sol-la si-do, sol-do

G: Maar Paul...
P: Dank u wel...
G: Paul, is dat n...
P: U kunt de service brief aanvragen bij...
G: Is dat nou wat ze een liedje noemen?
P: Wat zeg je?

G: 
Is dat nou wat ze een liedje noemen 
Do-re-mi-fa-sol? Wat bedoel je nou?

P: 
Nee, dat is nie wat ze een liedje noemen 
Maar da's gewoon een beetje zingen, en dat vind ik al belangrijk genoeg voor u 
Maar als je een liedje wilt zingen... Wil je een liedje zingen Grunter?

G: Ja, tuurlijk
P: En jij ook Adolf?
A: Ja

P: 
Hehehe, okee, dan gaan we het als volgt doen 
Kijk, opletten 
Niet met je vingers zitten...
Do re mi fa sol zijn bepaalde, bepaalde dingen die je nodig hebt (Brabbelt Wat) de gereedschappen
(Brabbelt Weer Wat)
Ah, ik zal het voordoen
So-do-la-fa-mi-do-re

K: So-do-la-fa-mi-do-re
P: So-do-she-e-so-ke-leu
K: So-do-la-si-do-re-do

P: 
Nee, so-do, nee he Cor,da's nie goed
So-do-le-fa-kutje-smeur

K: So- do-la-si-do-re-do

P: 
Nee,nee,nee,nee, So (Aan Publiek) jullie kunnen het wel he 
So-do-la-vi-kutje-smeur

Pu: So-do-la-vi-kutje-smeur

P: 
Zo, jullie zijn kinderen, wij zijn volwassenen 
Je moet naar ons luisteren
So-do-la-vi-kutje-smeur

K: So-do-la-vi (Grunter komt er boven uit) kutje- smeur

P: 
Gooi 't er maar uit 
Gooi 't in de groep
Nu met z'n allen

P+K: 
So-do-la-fa-mi-do-re
So-do-la-si-do-re-do

G: Maar dat betekend toch helemaal niets

P: 
Nee, dat betekend helemaal niks 
Maar als je bijvoorbeeld leuke woordjes verzint voor euh, voor die, die noten, dan krijg je een heel leuk liedje 
Zal ik iets verzinnen?
Ja? Okee, doe ik dat
Opletten, he
Ken je goed je do-re-mi, zing je elke melodie

P: Nu jullie
K: Ken je goed je do-re-mi

P+K: Zing je elke melodie

Doos, waarop je een deksel doet
Re, die vind je in het woud
Mier, die steeds maar werken moet
Fader, waar je veel van houdt
Sal, ik zal hem dan maar wat
La, die zit in een bureau
Si, ik zie dan dit en dat
En dat brengt ons weer naar do
Do-re-mi-fa-sol-la-si-do-do-si-fa-sol-la-si-re

K: 
Do-mi-mi, mi-sol-sol, re-fa-fa, la-si-si
Do-mi-mi, (Gelach Kind) mi-sol-sol, re-fa-fa, la-si-si

(Paul Er Door Heen)
P: 
Ken je elke melodie
zing je elke

P+K: melodie
P: Bokje springen

P+K: 
Doos, waarop je een deksel doet
Re, die vind je in het woud
Si, die steeds maar werken moet
Fader, waar je veel van houdt
Sal, ik zal hem dan maar wat
P: Ik zal hem dan maar wat
P: La, die zit in een bureau
K: Die zit in een bureau
P: Si, ik zie dan dit en dat
K: Dit en dat
P+K: En dat brengt ons weer naar do
(Paul Er Doorheen Zingend)

K: So-do-la-fa-mi-do-re
P: Doooo-reeee-miiiiiii-faaaaa
K: So-do-la-si-do
P: Soooo-laaaa-tiiii

P+K: 
Si-doooooo
So-do

P: 
De kinderen Van Trapp
Buigen, buigen, buigen
Bedankt 
Tjuus, Tjuus

The Sidewalks Of New York
Performer(s): J.W. Myers
and multiple other artists



Down in front of Casey's
Old brown wooden stoop
On a summer's evening 
We formed a merry group
Boys and girls together
We would sing and waltz
While the "Ginnie" played the organ
On the sidewalks of New York

East side, West side
All around the town
The tots sang 'Ring-a-Rosie'
'London Bridge is falling down!
Boys and girls together
Me and Mamie O'Rorke
Tripped the light fantastic
On the sidewalks of New York

That's where Johnny Casey
And little Jimmy Crowe
With Jakey Krause the baker
Who always had the dough
Pretty Nellie Shannon
With a dude as light as cork
First picked up the waltz step
On the sidewalks of New York

East side, West side
All around the town
The tots sang 'Ring-a-Rosie'
'London Bridge is falling down!
Boys and girls together
Me and Mamie O'Rorke
Tripped the light fantastic
On the sidewalks of New York

Things have changed since those times
And some are up in "G"
Others are wand'rers
But all feel just like me
They would part with all they've got
Could they but once more walk
With their best girl and have a twirl
On the Sidewalks of New York

East side, West side
All around the town
The tots sang 'Ring-a-Rosie'
'London Bridge is falling down!
Boys and girls together
Me and Mamie O'Rorke
Tripped the light fantastic
On the sidewalks of New York

Cold Day In Hell
Composer(s): Gary Moore
Performer(s): Gary Moore



So many times you tried to take the best of me
So many times, now you're gonna take the rest of me
Better look at what you're doing before it's too late
It's a fine line you're treadin' between love and hate
There'll be a cold day in hell
before I'm coming back to you

So many times you tried to play a dead end game
Yes, you did
I tried to tell you, but you'd never wanna take the blame
Now you've pushed me to the limit, and I can't take no more
You'd better take one last look before I'm out the door
There'll be a cold day in hell
before I'm coming back to you

You never listened when I told you
that you were way out of line
Too busy talkin' to listen
accusing me of telling lies

So many times you tried to get the best of me
Yes, you did
So many times, but now you're gonna take the rest of me
Well, it's too late for sorry and it's too late for tears
Better take one last look before I disappear
There'll be a cold day in hell
before I'm coming back to you

There'll be a cold day in hell
before I'm coming back to you
There'll be a cold day in hell
before I'm coming back to you
Yeah!

Riders On The Storm
Composer(s): John Densmore;
Robbie Krieger; Ray Manzarek; Jim Morrison
Performer(s): The Doors;
and various other artists



Riders on the storm, riders on the storm 
Into this house we're born 
Into this world we're thrown 
Like a dog without a bone 
An actor out alone 
Riders on the storm 

There's a killer on the road 
His brain is squirmin' like a toad 
Take a long holiday 
Let your children play 
If you give this man a ride 
Sweet family will die 
Killer on the road, yeah 

Girl, you gotta love your man 
Girl, you gotta love your man 
Take him by the hand 
Make him understand 
The world on you depends 
Our life will never end 
Gotta love your man, yeah 

Riders on the storm, riders on the storm 
Into this house we're born 
Into this world we're thrown 
Like a dog without a bone 
An actor out alone 
Riders on the storm 

Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm

Do-Re-Mi  
((Dutch Version: Do-Re-Mi (Paul de Leeuw met De Kinderen von Trapp)) - 1993))
Composer(s): Richard Rodgers - Oscar Hammerstein II
First performance/First release by: Mary Martin - 1959
Covered by multiple other artists



Let's start at the very beginning
A very good place to start
When you read you begin with A-B-C
When you sing you begin with do-re-mi

Do-re-mi, do-re-mi
The first three notes just happen to be
Do-re-mi, do-re-mi

Maria:
Do-re-mi-fa-so-la-ti
spoken Let's see if I can make it easy

Doe, a deer, a female deer
Ray, a drop of golden sun
Me, a name I call myself
Far, a long, long way to run
Sew, a needle pulling thread
La, a note to follow Sew
Tea, a drink with jam and bread
That will bring us back to Do (oh-oh-oh)

Maria and Children:
(Repeat above verse twice)

Maria:
Do-re-mi-fa-so-la-ti-do
So-do!

Maria:
Now children, do-re-mi-fa-so and so on are only the tools we use to build a song
Once you have these notes in your heads, you can sing a million different tunes by mixing them up 
Like this

So Do La Fa Mi Do Re
spoken Can you do that?

Children:
So Do La Fa Mi Do Re

Maria:
So Do La Ti Do Re Do

Children:
So Do La Ti Do Re Do

Maria:
Now, put it all together

Maria and Children:
So Do La Fa Mi Do Re, So Do La Ti Do Re Do

Maria:
Good!

Brigitta:
But it doesn't mean anything

Maria:
So we put in words 
One word for every note 
Like this

When you know the notes to sing
You can sing most anything
Together!

Maria and Children:
When you know the notes to sing
You can sing most anything

Doe, a deer, a female deer
Ray, a drop of golden sun
Me, a name I call myself
Far, a long, long way to run
Sew, a needle pulling thread
La, a note to follow Sew
Tea, a drink with jam and bread
That will bring us back to Do

Do Re Mi Fa So La Ti Do
Do Ti La So Fa Mi Re

Children:
Do Mi Mi
Mi So So
Re Fa Fa
La Ti Ti
(Repeat above verse 4x as Maria sings)

Maria:
When you know the notes to sing
You can sing most anything

Maria and Children:
Doe, a deer, a female deer
Ray, a drop of golden sun
Me, a name I call myself
Far, a long, long way to run
Sew, a needle pulling thread
La, a note to follow Sew
Tea, a drink with jam and bread
That will bring us back to

Maria & Children:

Do... So Do 
Re... La Fa 
Mi... Mi Do 
Fa... Re 
So... So Do 
La... La Fa 
Ti... La So Fa Mi Re 
Ti Do - oh - oh Ti Do -- So Do

The Sidestep
Composer(s): Carol Hall
Performer(s): Charles Durning



Fellow Texans, I am proudly standing here to humbly see
I assure you, and I mean it 
Now, who says I don't speak out as plain as day? 
And, fellow Texans, I'm for progress and the flag - long may it fly
I'm a poor boy, come to greatness 
So, it follows that I cannot tell a lie

Ooh I love to dance a little sidestep, now they see me now they don't
I've come and gone and, ooh I love to sweep around the wide step 
cut a little swathe and lead the people on

Now my good friends, it behooves me to be solemn and declare
I'm for goodness and for profit and for living clean and saying daily prayer 
And now, my good friends, you can sleep nights, I'll continue to stand tall
You can trust me, for I promise, I shall keep a watchful eye upon ya'll...

Ooh I love to dance a little sidestep, now they see me now they don't
I've come and gone and, ooh I love to sweep around the wide step
cut a little swathe and lead the people on

Now, Miss Mona, I don't know her, though I've heard the name, oh yes  
But, of course I've no close contact, so what she is doing I can only guess 
And now, Miss Mona, she's a blemish on the face of that good town 
I am taking certain steps here, someone somewhere's gonna have to close her down

Ooh I love to dance a little sidestep, now they see me now they don't
I've come and gone and, ooh I love to sweep around the wide step
cut a little swathe and lead the people on

Ooh I love to dance a little sidestep...

And, ooh I love to sweep around the wide step...

Cut a little swathe and lead the people on

Cold Black Night
Composer(s): Jeremy Spencer
Performer(s): Fleetwood Mac



It was a cold black night and the rain was falling down
Cold black night and the rain was fallin' down
I went out lookin' for my girl
I knew she wasn't nowhere around

She left me early that morning, with a suitcase in her hand
She left me early that morning, yes, with a suitcase in her
hand
And she took off on a train this mornin'
and she was meetin' some other man, yes

She used to treat me real good and I wonder why I
didn't treat her right
Yes, ah, you know I wonder why I didn't treat her right
And now all I can do, is walk those streets both day and night

Ride, Tenderfoot, Ride
Composer(s): Johnny Mercer; Richard A. Whiting
Performer(s): Dick Powell;
and various other artists



Ride, tenderfoot, ride tonight
See the old rangers there at your side, tonight
They're fast company
So if you wanna be a cowboy
Then you gotta ride, tenderfoot, ride!
You gotta hit the trail
In Oklahoma when the moon is pale
And get to Texas with the mornin' mail
'Fore you can be a cowboy
You gotta rope and throw
You gotta get your share of buffalo
And win the money at the Rodeo
'Fore you can be a cowboy (whistle)
You gotta tend your cattle the best you can
Hold your "likker" like a man
And ride, tenderfoot, ride tonight!
See the old range riders there at your side tonight
They're fast company
So if you wanna be a cowboy
Then you gotta ride, tenderfoot, ride!
Ride, ride, ride!

You Are Sixteen
Composer(s): Richard Rodgers - Oscar Hammerstein II
First performance/First release by: Lauri Peters and Brian Davies - 1959
Covered by multiple other artists



Rolf:
You wait, little girl, on an empty stage
For fate to turn the light on
Your life, little girl, is an empty page
That men will want to write on
Liesl:
To write on
Rolf:
You are sixteen going on seventeen
Baby, it's time to think
Better beware, be canny and careful
Baby, you're on the brink
You are sixteen going on seventeen
Fellows will fall in line
Eager young lads and rogues and cads
Will offer you food and wine
Totally unprepared are you
To face a world of men
Timid and shy and scared are you
Of things beyond your ken
You need someone older an wiser
Telling you what to do
I am seventeen going on eighteen
I'll take care of you
Liesl:
I am sixteen going on seventeen
I know that I'm naive
Fellows I meet may tell me I'm sweet
And willingly I believe
I am sixteen going on seventeen
Innocent as a rose
Bachelor dandies, drinkers of brandies
What do I know of those
Totally unprepared am I
To face a world of men
Timid and shy and scared am I
Of things beyond my ken
I need someone older and wiser
Telling me what to do
You are seventeen going on eighteen
I'll depend on you
----------
Maria:
You are sixteen going on seventeen
Waiting for life to start
Somebody kind who touches your mind
Will suddenly touch your heart
Liesl:
When that happens, after it happens
Nothing is quite the same
Somehow I know I'll jump up and go
If ever he calls my name
Maria:
Gone are your old ideas of life
The old ideas grow dim
Lo and behold you're someone's wife
And you belong to him
You may think this kind of adventure
Never may come to you
Darling sixteen going on seventeen
Wait a year...
Liesl:
I'll wait a year...
Maria:
Just wait a year...
Maria and Liesl:
Or two 

The Siamese Cat Song
Composer(s): Sonny Burke - Peggy Lee
First release by: Peggy Lee - 1955
Covered by multiple other artists



We are Siameeiz if you pleeiz
We are Siameeiz if you don't please
We are former residents of Siam
There are no finer cats than we am
We are Siamese with very dainty claws
Please observing paws containing dainty claws
Now we lookin' over our new domicile
If we like we stay for maybe quite a while

Cold As Ice
Composer(s): Mick Jones; Lou Gramm
Performer(s): Foreigner



You're as cold as ice
You're willing to sacrifice our love
You never take advice
Someday you'll pay the price, I know

I've seen it before
It happens all the time
Closing the door
You leave the world behind

You're digging for gold
Yet throwing away
A fortune in feelings
But someday you'll pay

You're as cold as ice
You're willing to sacrifice our love
You want paradise
But someday you'll pay the price, I know

I've seen it before
It happens all the time
Closing the door
You leave the world behind

You're digging for gold
Yet throwing away
A fortune in feelings
But someday you'll pay

(Cold - as - ice)
You know that you are
(Cold-cold) - (as-as) - (ice)
As cold as ice to me
(Cold-cold-cold) - (as-as-as) - (ice)

(Ooh, ooh, ooh, you're as cold as ice)
(You're as cold as icccce)
You're as cold as ice
(Cold as icccce)
Cold as ice I know
(You're as cold as icccce)
You're as cold as ice
(Cold as icccce)
Cold as ice I know
(You're as cold as icccce)
Oh, yes I know
(Cold as icccce)
(You're as cold as icccce)
You're as cold as ice
(Cold as icccce)
Cold as ice I know
(You're as cold as icccce)
Oh, yes I know
(Cold as icccce)

Ride!
Composer(s): D. Leon; J. Sheldon
Performer(s): Dee Dee Sharp



Let's pony again
(Get it)
(Get it)
(Get it)
(Get it)

I'm gonna get on my pony and ride
(Ride)
Ride
(Ride)
Ride
(Ride)
I'm gonna get on my pony and ride
(Ride)
Till you're be my side

Now you can shake, shout, bump and slide
Now you can run past all our hearts
Or R-i-d-e
Till you're by my side

Well get it
(Get it)
(Get it)
(Get it)
Pony baby
(Get it)
(Get it)
(Get it)
Shake it crazy
(Get it)
(Get it)
(Get it)
Come on and pony with me
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)

I'm gonna get on my pony and ride
(Ride)
Ride
(Ride)
Ride
(Ride)

I'm gonna sling me a lasso and ride
(Ride)
Till you're by my side

Now you can shake, shout, bump and slide
Now you can jump rope all in stride
Or R-i-d-e
Till you're by my side

Well get it
(Get it)
(Get it)
(Get it)
Pony baby
(Get it)
(Get it)
(Get it)
Shake it crazy
(Get it)
(Get it)
(Get it)
Come on and pony with me
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)

The pony's what it takes

Well get it
(Get it)
(Get it)
(Get it)
Pony baby
(Get it)
(Get it)
(Get it)
Shake it crazy
(Get it)
(Get it)
(Get it)
Come on and pony with me
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)

I'm gonna get on my pony and ride
(Ride)
Ride
(Ride)
Ride
(Ride)
I'm gonna get on my pony and ride
(Ride)
Till you're be my side

Now you can shake, shout, bump and slide
Now you can run past all our hearts
Or R-i-d-e
Till you're by my side

Come on and get it
(Get it)
(Get it)
(Get it)
Pony baby
(Get it)
(Get it)
(Get it)
Shake it crazy
(Get it)
(Get it)
(Get it)
Come on and pony with me
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)
(Get it)

Come on and get it
(Get it)
(Get it)
(Get it)
Pony baby

(Get it)
(Get it)
(Get it)
Shake it crazy
(Get it)
(Get it)
(Get it)
Come on and pony with me
(Get it)
(Get it)
(Get it)
(Get it)