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  • this blog will be regularly updated
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    RAMBLIN' & STINGRAY

    COVERS BY RAMBLIN WAYN
  • ACROSS THE BORDER LINE (Ry Cooder/John Hiatt)
  • I DON'T HURT ANYMORE
  • RAMBLIN' WAYN SINGS '13' by GLENN DANZIG
  • FRISCO DEPOT -(MICKEY NEWBURY
  • KISS ME OUICK Doc Pomus/ Mort Shuman (c) 1963
  • HE STOP LOVING HER TODAY - BOBBY BRADDOCK
  • JUST A GIRL I USED TO KNOW - COWBOY JACK CLEMENT
  • I JUST TOLD MAMA GOODBEY - HANKWILLIAMS
  • WHEN THE WORD WAS THUNDERBIRD - Billy Joe Shaver
  • WHISKEY, WHISKEY - DAVID A COE
  • THE BELIEVER - A BOB CARPENTER SONG SUNG BY RAMBLIN' WAYN
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    Arthel 'Doc' Watson

  • Doc Watson playing Wayne Henderson guitar - aug. 2006
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    J.P STINGRAY  BLUES/ROCKER
  • VISIT MY BROTHER'S J.P STINGRAY GUITAR STORE HEERLEN, NETHERLANDS
  • JP STINGRAY CLIP 'GOODBYE HURRICANE' DEDICATED TO SRV
  • THE WORLD TURNS CRAZY AGAIN - RAMBLIN' WAYN
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  • CEGO OLIVEIRO with his Rabequinha - NA PORTA DAS CABARÉIS - Nordeste Brasil - ARTE BRASILEIRA/REPENTE
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  • COLD, COLD HEART - I CAN'T HELP IT - HANK WILLIAMS
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    Dear reader, a small grammatical error?
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    RAMBLIN WAYN -- ART
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    LIVIN' IS AN ART - VIRTUAL GALERY
    08-03-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.ALAN LOMAX -recording man
    “Neighborhood investigation shows him to be a very peculiar individual in that he is only interested in folk lore music, being very temperamental and ornery. …. He has no sense of money values, handling his own and Government property in a neglectful manner, and paying practically no attention to his personal appearance. … He has a tendency to neglect his work over a period of time and then just before a deadline he produces excellent results.” (from the FBI file on Alan Lomax, 1940–1980) 

    RECORDING IN DOMINICA 1962
    FOT BY ANTOINETTE MARCHANT
    In an age that decries romanticism, Alan Lomax stands out as an enormously romantic figure. “I thought of Alan as a Minotaur — half man, half supernatural — who defied life as we know it,” wrote one of his old friends, Bill Ferris. 
                   Alan was proudest of his driving — his thousands of miles and days down nameless roads seeking out the jewels of the human spirit. He is most famous for his work in the penitentiaries, plantations, and lonely farms of the Mississippi Delta, where he returned no less than seven times between 1933 and 1985 to listen, observe, fraternize, and record night after night, year after year; but he repeated this feat with astounding results in hundreds of obscure places in the U.S., the Caribbean, Europe, and North Africa. 

    Jelly Roll Morton, Woody Guthrie, Lead Belly, Muddy Waters, and the Reverend Gary Davis were only a few of the many geniuses, famous and obscure, who were in reality telling us the true story of our country over Alan’s microphone. The sympathy, connoisseurship, and technical avant-gardism he poured into his work in every platform — from the interview to the printed page, concert stage, commercial disc, and scholarly article — yielded some of the most passionate and intimate documents of any era, which might have been lost but instead led to the ecumenical vision of the world’s music we have today. But more than this, what Alan Lomax had in mind was the renewal of the forgotten springs of human creativity. Alan Lomax recording in Dominica, 1962. Photo by Antoinette Marchand.

    In the 1930s and early ‘40s Alan and his equally temperamental father, folklorist John A. Lomax — who was among the first collectors to recognize the value of African American music as a sui generis art form and one of the richest sources of indigenous American culture — helped to develop the Library of Congress’ Archive of American Folk Song as a national resource, recording thousands of songs and oral histories in their original settings, throughout the South, the Northeast, Lake States, Midwest, Bahamas, and Haiti. Among Alan’s earliest collaborators and lifelong friends were Zora Neale Hurston, Stetson Kennedy, Jerome Wiesner, Nicholas Ray, Charles and Ruth Crawford Seeger, Henry and Sidney Cowell, Román and Svatava Pirkova Jakobson, John Henry Faulk, Margaret Mead, and Edmund Carpenter. He gave young Pete Seeger his first job, searching for commercially recorded gems of regional Americana at the Library of Congress in 1938 and later at Decca Records, where they rescued some from the reject pile and tossed others “down the airshaft.” 
           
    Alan introduced Woody Guthrie, Aunt Molly Jackson, Lead Belly, Josh White, Burl Ives, Pete Seeger, Sonny Terry, and Jean Ritchie on national radio and in concerts, records, and books, igniting careers and folk song movements. With the Seegers, Tillman Cadle, Aunt Molly, and Guy and Candie Carawan, and others he helped to bring the vital element of protest in folk songs into the union struggle, the Wallace campaign, and the Civil Rights Movement. In the 1950s, Alan Lomax collected throughout Great Britain, Ireland, Italy, and Spain — dogged there by Franco’s political police. 

    He enriched national folklore archives, created interest in indigenous folk music, and compiled for Columbia Records the first world music anthology. To the delight of British audiences, Lomax and Peter Kennedy shook up the normally staid BBC, putting fresh talent from the “field” live on the air each week with wildly unpredictable results. And just before the Queen’s radio address on Christmas Day 1957, native and immigrant folk musicians sang in the holiday on live hookup from the Hebrides, Glasgow, Cork, Manchester, Wales, Cornwall, Sussex, and London’s East End in an unrehearsed extravaganza. In essence, the many facets of Lomax’s career were an expression of his belief in what he called “cultural equity” — the idea that the expressive traditions of all local and ethnic cultures should be equally valued as representative of the multiple forms of human adaptation on earth. 
                            After 1960 he devoted himself to comparative research on world music and dance with collaborators from musicology, anthropology, dance, and linguistics. This culminated in the early ‘90s with the Global Jukebox, a monumental attempt to organize and synthesize the findings of anthropology and musicology that evoked relationships between expressive style, human geography, and long-standing patterns of subsistence and social life. 

    Reverence for language, and the desire to become a full-fledged writer, permeates Lomax’s every composition — letters, speeches, grant proposals, and off-the-cuff remarks — to say nothing of his compressed song descriptions, private diaries, and longer works. Like Levi-Strauss, he was a writerly ethnographer and was proud of having pioneered the oral musical biography. Mister Jelly Roll (his biography of the famed New Orleans jazz composer) and his award-winning memoir, The Land Where the Blues Began, exemplify his admiration and respect for the artistry of oral historians, raconteurs, and poets. 
    Alan Lomax was a flamboyant, protean personality, difficult to pigeonhole. 1986, New York, photo by Peter Figlestahler

    He was loved for his warm enthusiasms, generosity, loyalty, and intense interest in people, hated for his high-handedness, 
    his outbursts of Calvinistic fury, and admired and envied for the breadth of his ideas and accomplishments. To many he was a father figure, though he chafed under the role. Alan had enormous respect for women and their achievements, but he feared their power and never settled down. As a Texan he was smooth, genial, yet extremely touchy — a contrarian and a rebel, painfully empathetic with the troubles of others. Though sustained by an essentially sanguine temperament, he was often afflicted with gloom and loss of confidence. As a result of childhood illness Lomax suffered a partial loss of hearing, yet he had an incomparable ear for vocal music. A massive stroke forced him to retire in 1996 and live under the care of his family. He died on July 19, 2002, at the age of 87.  



    IN ARAGON, SPAIN WITH A UNIDENTIFIED MAN


    INFO: 
    http://culturalequity.org/alanlomax/ce_alanlomax_index.php

    08-03-2012 om 20:19 geschreven door Wayn  

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    03-03-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.EDDY COCHRAN - SUMMERTIME BLUES
    Eddie Cochran In his brief career, Eddie Cochran made a lasting imprint on rock with songs like "Summertime Blues.," one of rock's most revered anthems of teen boredom. He was was an exceptionally talented guitarist, an energetic stage performer, and an early master of studio overdubbing; he played and sang all the parts on both “C’mon Everybody” and “Summertime Blues.” Cochran was 21 when he died on April 17, 1960, in an auto accident en route to the London airport. 

    SUMMERTIME BLUES:



    WE SEE US, rw



    03-03-2012 om 16:27 geschreven door Wayn  

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    01-03-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.447 Years RIO? WATERCOLORS BY EDUART HILDERBRANDT 1844 AND AUGUSTO EARL 1822
    WATERCOLOR ART



    01-03-2012 om 18:09 geschreven door Wayn  

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    23-02-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.O MEU DEUS! CARN ART
    RIO DE JANEIRO, DANCER OF THE TIJUCA SAMBA ESCOLA 





    23-02-2012 om 12:01 geschreven door Wayn  

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    20-02-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.'GYPSY' COLLAGE BY RAMBLIN WAYN 2012
    RWAYN 1948 , MAASTRICHT, NL

    THE WORLD LOOKS BROKEN BUT THE GYPSY WILL RIDES ON WITH SADNESS AND HUMAN INCOMPREHENSION...THAT'S WHY I'M SINGING MY SONGS...






    20-02-2012 om 12:12 geschreven door Wayn  

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    19-02-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.SATAN IS REAL The Ballad of the Louvin Brothers By Charlie Louvin with Benjamin Whitmer
    Klik op de afbeelding om de link te volgen By Charlie Louvin’s own account, people who saw the Louvin Brothers perform were mystified by the experience. Ira Louvin was a full head taller than his younger brother, played the mandolin like Bill Monroe and sang in an impossibly high, tense, quivering tenor. 
              Charlie strummed a guitar, grinned like a vaudevillian and handled the bottom register. But every so often, in the middle of a song, some hidden signal flashed and the brothers switched places — with Ira swooping down from the heights, and Charlie angling upward — and even the most careful listeners would lose track of which man was carrying the lead. 
                  This was more than close-harmony singing; each instance was an act of transubstantiation. “It baffled a lot of people,” Charlie Louvin explains in his crackling new memoir. “We could change in the middle of a word. Part of the reason we could do that was that we’d learned to have a good ear for other people’s voices when we sang Sacred Harp. But the other part is that we were brothers.” 
                         Enlarge This Image Times Topic: Country Music Ira died in a car wreck in 1965. Charlie — who rolled his first cigarette at the age of 5 — died last year at 83, just two months after talking the book out. (The contributions of his co-author, Benjamin Whitmer, are pretty much invisible, which makes them difficult to praise, and all the more praiseworthy.) True to his subtitle, Charlie tells Ira’s story, as well as his own, devoting 47 chapters to their shared lives and careers, and just three more to the years that followed Ira’s death. He is profane, piquant and brutally honest in ways that are sure to offend the country music establishment but might have delighted Ira, who was no less of a demon than the ones the Louvins — who cut their teeth as a gospel duo, and never really left the church behind — so often sang about. 
     
    Charlie and Ira came up hard, on a tiny Depression-era cotton farm in southern Appalachia. Their mother taught them songs from the Sacred Harp hymnal, while their father worked and beat them, mercilessly, until they felt they had no choice but to sing their way off the land. “We were two determined little bastards,” Louvin recalls. “We were no good at quitting at all. Whether or not he meant to, I’d say that’s one of the greatest gifts Papa gave us.” That gift (a great inspiration to the Everly Brothers, the Byrds and many other harmony singers who followed in their footsteps) carried the Louvins through two difficult decades — it took them years to make it, and just as they did, Elvis Presley came along and swept the music world they’d known aside. The ups and downs were bad for Ira, who’d gotten the worst of his father’s beatings and turned into a meanspirited, self-destructive drunk. But they’re good for the book, which is full of fistfights, road stories and behind-the-scenes looks at fellow travelers: Presley, Hank Williams, Roy Acuff, Johnny Cash, Little Jimmy Dickens and not a few others. In one chapter, titled “Duets,” Louvin recalls the Delmore, Monroe, Wilburn, Everly and Bolick brothers (the last performed as the Blue Sky Boys) — “duets that put out the most beautiful music you could imagine, but when they weren’t onstage, they wouldn’t speak to each other. And they wouldn’t speak to you, either, if you happened to like the other one.” “Somehow,” he says, “Ira and I managed to remain some kind of friends.” If so, it was despite Ira’s own best efforts to ruin every relationship in sight. One night, drunk, he said a crude, racist thing, ensuring that Presley, who’d called the brothers “his favorite duet” and opened for Ira and Charlie on one of his first tours, would never record “The Christian Life,” “Satan Is Real,” or any other Louvin Brothers song. (“If I had to guess, I’d say that one statement by Ira cost the Louvin Brothers music catalog two or three million dollars,” Charlie says.) 
                    On other nights, Ira smashed and stomped his mandolin to pieces (he’d later glue it back together), fought with drunks in the audience or simply failed to show up, costing the brothers top-tier bookings and getting them banned from their regular, hard-earned slot on the Grand Ole Opry. “It was an ugly thing when he drank,” Charlie recalls, “and there was no fun in it.” And then there was the womanizing and spousal abuse. In February 1963, Ira Louvin wrapped a telephone cord around his wife’s neck. She shot him six times with a .22-caliber pistol, and when the police arrived on the scene she was said to have told them, “If the blankety-blank don’t die, I’ll shoot him again.” Ira lived, and Charlie stuck by him (and, amazingly, the wife) and ignored Ira’s threats to quit the duet. But the Louvin Brothers broke up that year. Ira was traveling with a new wife (his fourth) and another couple on the night of his wreck. Atypically, according to Charlie, Ira — who had a D.U.I. warrant out for his arrest — seems to have been sober that night, while the driver of the car that hit him was “nine times over the legal limit for drunkenness.” Oddly, given his habit of smashing mandolins, Ira’s new mandolin — a four-stringed, electric instrument he’d designed himself — was “the only thing that wasn’t smashed to splinters.” 

    SATAN IS REAL The Ballad of the Louvin Brothers By Charlie Louvin with Benjamin Whitmer Illustrated. 297 pp. Igniter/It Books/HarperCollins Publishers

    BY Alex Abramovich who's writing a history of rock 'n roll

     
    THE LOUVIN BROS -  I CAN'T YOU IN LOVE WITH ME

    click left mouse button and slide to select/ click right to get the http: 

    http://www.youtube.com/watch?v=k5XVEUdNye0

    19-02-2012 om 12:46 geschreven door Wayn  

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    16-02-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.MASOESA - oil on paper -ramblin Wayn 2010
    MASOESA





    16-02-2012 om 00:00 geschreven door Wayn  

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    15-02-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.DOC WATSON - born Arthel L. Watson in Deep Gap, NC on March 3, 1923

    click left mouse button and slide to select/ click right to get the http:  


    http://www.youtube.com/watch?v=RdCyj_FN4fM




    THANKS DOC, RAMBLIN WAYN

    15-02-2012 om 20:51 geschreven door Wayn  

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    31-01-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.ALAN LOMAX SELECTIONS INCLUDED ON A NEW ALBUM

    Listening to the Globe

    Selections recorded by the ethnomusicologist Alan Lomax that are included on a new album, “The Alan Lomax Collection From the American Folklife Center,” and will be part of the Global Jukebox, a huge online digital collection of traditional music dating to the 1930s.


    click left mouse button and slide to select/ click right to get the http:  

    http://www.nytimes.com/interactive/2012/01/30/arts/music/20120131-lomax-interactive.html?ref=music


    N.Times,

    RW

    31-01-2012 om 20:49 geschreven door Wayn  

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    29-01-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Mary Jose Cristerna, Mexico, 'The Vampire Woman'. photo by AFP / Leo Ramirez
    tattoo art



    29-01-2012 om 19:53 geschreven door Wayn  

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    12-01-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.pictures of brazil Bertoncini, Karina – photographer 2009


    Visit Karina's site: http://bertoncini.wordpress.com/

    Thanks Karina, Wayn




    OBRIGADO


    12-01-2012 om 12:00 geschreven door Wayn  

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    09-01-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.GLENN CAMPBELLS'S LAST SHOW
    Klik op de afbeelding om de link te volgen
    Last June, Glen Campbell (75) announced that he had Alzheimer’s disease, and on Saturday night Januari 7 2012 he came to Town Hall as part of what was billed as the “Goodbye Tour.” Everyone in the room understood. The faithful, reverent crowd appeared not to mind that for much of the show Glenn Campbell was reading lyrics from prompters that had been set between the monitors at the foot of the stage.
    There will always be a Rhinestone Cowboy on his way to Phoenix,
    RW




    THANX FOR THE PICTURE (UNKNOWN)

    09-01-2012 om 12:37 geschreven door Wayn  

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    04-01-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.PAINTINGS BY RAMBLIN WAYN ) SPACE LOVE / SPIDER WORLD oil on paper

    space love


    spider world
    brasil 2010

    04-01-2012 om 20:30 geschreven door Wayn  

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    01-01-2012
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.RAMBLIN WAYN IN A LOCAL BAR IN ITABORAI, BRAZIL- KISS ME QUICK

    see clip:

    http://www.youtube.com/watch?v=6g46tLzMj-c

    wayn and some musicians in front of the bar in Itaborai, Rio


    bass player Moacir and Djinim


    inside


    singing woman


    happy


    Joâo playin the keyboards

    01-01-2012 om 19:51 geschreven door Wayn  

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    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.TRAIN A RAMBLIN WAYN SONG
    RAMBLIN WAYN WITH A SONG HE WROTE IN 1974 THIS IS HIS 2012 VERSION 'TRAIN' 

    01-01-2012 om 19:17 geschreven door Wayn  

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    22-12-2011
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.RAMBLIN WAYN & JP STINGRAY - UP THE ROAD
    WORDS/MUSIC BY WAYN  new river train music (c) 2011





    22-12-2011 om 22:24 geschreven door Wayn  

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    26-08-2011
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.PIERRE-JOSEPH PROUDHON 1809-1865 -ANARCHIST
    IF I WERE ASKED TO ANSWER THE FOLLOWING QUESTION: 'WHAT IS SLAVERY?' AND I SHOULD ANSWER IN ONE WORD, 'MURDER!' MY MEANING WOULD BE UNDERSTOOD AT ONCE. NO FURTHER ARGUMENT WOULD BE REQUIRED TO SHOW THAT THE POWER TO TAKE FROM A MAN HIS THOUGHT, HIS WILL, HIS PERSONALITY, IS A POWER OF LIFE AND DEATH, AND THAT TO ENSLAVE A MAN IS TO KILL HIM. WHY, THEN, TO THIS OTHER QUESTION: 'WHAT IS PROPERTY?' MAY I NOT LIKEWISE ANSWER 'THEFT'?










    26-08-2011 om 22:57 geschreven door Wayn  

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    23-08-2011
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Jerry Leiber, Prolific Writer of 1950s Hits, Dies at 78

      
    Mike Stoller and Jerry Leiber in 2008

    By WILLIAM GRIMES 
    Published: August 22, 2011 

    Jerry Leiber, the lyricist who, with his partner, Mike Stoller, wrote some of the most enduring classics in the history of rock ’n’ roll, including “Hound Dog,” “Yakety Yak,” “Stand By Me” and “On Broadway,” died on Monday in Los Angeles. He was 78. 

    . The cause was cardio-pulmonary failure, said Randy Poe, president of Leiber & Stoller Music Publishing. The team of Leiber and Stoller was formed in 1950, when Mr. Leiber was still a student at Fairfax High in Los Angeles and Mr. Stoller, a fellow rhythm-and-blues fanatic, was a freshman at Los Angeles City College. 
           With Mr. Leiber contributing catchy, street-savvy lyrics and Mr. Stoller, a pianist, composing infectious, bluesy tunes, they set about writing songs with black singers and groups in mind. In 1952, they wrote “Hound Dog” for the blues singer Big Mama Thornton. The song became an enormous hit for Elvis Presley in 1956 and made Leiber and Stoller the hottest songwriting team in rock ’n’ roll. They later wrote “Jailhouse Rock,” “Loving You,” “Don’t,” “Treat Me Nice,” “King Creole” and other songs for Presley, despite their loathing for his interpretation of “Hound Dog.” In the late 1950s, having relocated to New York and taken their place among the constellation of talents associated with the Brill Building, they emerged as perhaps the most potent songwriting team in the genre. Their hits for the Drifters remain some of the most admired songs in the rock ’n’ roll canon, notably “On Broadway,” written with Barry Mann and Cynthia Weil, and “Stand By Me” with Ben E. King. With Phil Spector, Mr. Leiber wrote the Drifters hit “Spanish Harlem.” They wrote a series of hits for the Coasters, including “Charlie Brown,” “Young Blood” with Doc Pomus, “Searchin’,” “Poison Ivy” and “Yakety Yak.” “Smokey Joe’s Cafe,” a 1954 hit written for the Robins, became the title of a Broadway musical based on the Leiber and Stoller songbook. In 1987, the partners were inducted into the Rock and Roll Hall of Fame
                        
    from left Mike Stoller, Elvis and Jerry Leiber at MGM studios 1957

    thanks,  Wayn

    23-08-2011 om 09:08 geschreven door Wayn  

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    13-08-2011
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.BELOVED oil on canvas 2011/////

    BELOVED





    13-08-2011 om 23:30 geschreven door Wayn  

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    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.UMBANDA - OIL ON CANVAS WAYN PIETERS V, RIJSSELT 2011, NETHERLANDS

    UMBANDA





    13-08-2011 om 23:24 geschreven door Wayn  

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  • BLUE SUEDE SHOES COUNTRY BOYS original
  • WHEN THE WORD WAS THUNDERBIRD by Ramblin Wayn
  • art or history? images found in southern Brazil 1973 by a dutch priest
  • Ted Daffan & His Texans Chuck Keeshan & Leon Seago No Letter Today Okeh 6706, 1942
  • RAMONA by Ramblin Wayn
  • caboclo of the 7 crossroads /painting expl. by ramblin wayn /music by amazone indians
  • ramblin wayn paintings
  • Folsom Prison Blues & Big River /Ramblin Wayn live in Maastricht, NL
  • mr. pierre pieters (maastricht, nl 1920-2013) schilderijen
  • RAMBLIN WAYN -- ART
  • once upun a time in the west / great shot
  • SLOW ROLLIN' LOW (Billy Joe Shaver) cover sung by Ramblin Wayn
  • I Love Horses ( Te Amo Cavalos) short vid. impression brazil
  • nashville cried the day hank williams died
  • brazilian cantinho gig / singer/songwriter ramblin wayn and amigos / live 2015
  • SUNDAY MORNING COMIN' DOWN cover
  • TRAIN
  • THEY SAY IN TEXAS THERE ARE HORSES WHO CAN FLY
  • SONG
  • OUT OF MY PEN - TWO ORIG. SONGS BY RAMBLIN WAYN
  • carmelita warren zevon cover jp stingray
  • remember ROY
  • ramblin wayn in brazil 2014 'the house of the rising sun'
  • ramblin wayn sings a billy joe shaver song
  • DEVILS RIGHT HAND - A STEVE EARL COVER BY RAMBLIN WAYN
  • THE MYSTERIOUS OUTLAW RAMBLIN WAYN ORIGINAL CLIP
  • woman in hilly landscape - ramblin wayn painting
  • PIERRE - OIL ON CANVAS BY RAMBLIN WAYN 2013
  • GEORGE JONES DIES AT 81
  • RAMBLIN WAYN/ 4 ORIGINALS
  • RWayn Paintings 'Hot january Sun' & 'Rio 1477'
  • GOIN' DOWN ROCKIN - TONY J WHITE - RAMBLIN WAYN
  • Willie's guitar Trigger
  • TIM MAIA - BRAZIL ROCKER
  • RWayn Paintings - Austin Rio, Johnny Cash, David Allen Coe, oil on wood 2012
  • WILLIE NELSON & WAYLON JENNINGS - oil on wood 2002 by RAMBLIN WAYN
  • Shaver and His Maker: From Hell-bound Honky Tonk Hero to Holy Roller The Turnstyled Junkpiled Interview by Terry Roland, Staff Writer
  • KITTY WELLS DIED
  • FOLKMAN DOC WATSON DIED R.I.P
  • DEDICATION TO THE APACHE INDIANS - RAMBLIN WAYN slide
  • TRAIN - RAMBLIN WAYN & JP STINGRAY
  • 'JAZZ MAN' TOOTS THIELEMANS MAKES 90
  • RAMBLIN WAYN PAINTING 'LEISURLY WAITING' oil on canvas 2012 Netherlands
  • UFOS GETTIN' NEARER - OIL ON CNAVAS 15/15cm - RAMBLIN WAYN alias CISCO Van AUSTIN, nl
  • EARL SCRUGGS, BLUEGRASS PIONEER DIED AT 88
  • RAMBLIN WAYN PAINTINGS / JP STINGRAY/GUARANI/VIEW THROUGH THE EYES OF OSCAR NIEMEYER/POMBA GIRA/ DESTRUCTION OF AMAZONAS-XINGU
  • BUDDY HOLLY - LET'S REMEMBER
  • JP STINGRAY GUITAR SHOP HEERLEN, NETHERLANDS
  • ALAN LOMAX -recording man
  • EDDY COCHRAN - SUMMERTIME BLUES
  • 447 Years RIO? WATERCOLORS BY EDUART HILDERBRANDT 1844 AND AUGUSTO EARL 1822
  • O MEU DEUS! CARN ART
  • 'GYPSY' COLLAGE BY RAMBLIN WAYN 2012
  • SATAN IS REAL The Ballad of the Louvin Brothers By Charlie Louvin with Benjamin Whitmer
  • MASOESA - oil on paper -ramblin Wayn 2010
  • DOC WATSON - born Arthel L. Watson in Deep Gap, NC on March 3, 1923
  • ALAN LOMAX SELECTIONS INCLUDED ON A NEW ALBUM
  • Mary Jose Cristerna, Mexico, 'The Vampire Woman'. photo by AFP / Leo Ramirez
  • pictures of brazil Bertoncini, Karina – photographer 2009
  • GLENN CAMPBELLS'S LAST SHOW
  • PAINTINGS BY RAMBLIN WAYN ) SPACE LOVE / SPIDER WORLD oil on paper
  • RAMBLIN WAYN IN A LOCAL BAR IN ITABORAI, BRAZIL- KISS ME QUICK
  • TRAIN A RAMBLIN WAYN SONG
  • RAMBLIN WAYN & JP STINGRAY - UP THE ROAD
  • PIERRE-JOSEPH PROUDHON 1809-1865 -ANARCHIST
  • Jerry Leiber, Prolific Writer of 1950s Hits, Dies at 78
  • BELOVED oil on canvas 2011/////
  • UMBANDA - OIL ON CANVAS WAYN PIETERS V, RIJSSELT 2011, NETHERLANDS
  • Viking stone by Niteroi, RJ, Brasil - oil on wood Ramblin Wayn 2011
  • Documentary Filmmaking in Rio de Janeiro Favelas
  • ALEIJADINHO (THE LITTLE CRIPPLE) Collage/paper/painting/drawing RWayn 2011
  • Saxophonist Clarence Clemons R.I.P
  • A DECENT STORY - THE WORLD TURNS CRAZY AGAIN - RAMBLIN WAYN
  • two paintings by Pierre Pieters, Maastricht 1920 'JAR, CANDLES, APPLE AND ORANGE'
  • CABOCLO 'OXOSSY' ON HIS HORSE 'ESTRELA BRANCA' (WHITE STAR)
  • MORENA - RAMBLIN WAYN P - 2000 oil on canvas
  • RAMBLIN WAYN & TAKAMINE BLACK - ITABORAI, BRASIL photo by JÂNIO METYKTIRE 2010
  • DANÇA - 1998 BRAZIL - RAMBLIN' WAYN oil on board
  • SINGING WOMAN - Antonius Pieters (1948), Maastricht, Netherlands, oil on paper 2006 Rio, Brazil
  • BRONZE SCULPTURES BY HAN VAN WETERING 1948, MAASTRICHT, NETHERLANDS part 2
  • SCULPTURES FROM HAN VAN WETERING 1948, MAASTRICHT, NETHERLANDS PART 1
  • THE STEVIE RAY VAUGHAN CUSTOM MADE FENDER STRATO painted by PIERRE PIETERS 1920 OIL ON CANVAS - YEAR 1992
  • One of the finest songwriters BOBBY BRADDOCK - HE STOPPED LOVING HER TODAY
  • PAINTINGS RAMBLIN' WAYN 'SOMEWHERE IN BAHIA' OIL ON WOOD 2003 & MACUMBA ANGEL oil on canvas 2011
  • BILL YOU SHAVER 'GEORGIA ON A FAST TRAIN' LIVE IN LUCKENBACH, TEXAS
  • SURUI WOMAN - Ramblin Wayn - oil on canvas 2011
  • MARIA BETHANIA - A BRAZILIAN BAHIA BEAUTY SINGS 'NEGUE'
  • Ramblin Wayn paintings 'Vida Umbanda' 2010
  • Discoloration paintings Van Gogh explained
  • EDUARDO MALTA -PORTUGUESE PAINTER 'INÊS, BRAZILIAN MULATTA GIRL'
  • NATURAL ART - XAVANTE GIRL WITH BABY
  • WITH THE AFTER-TASTE OF WHISKEY - Column by Ramblin Wayn
  • THIBAÚ - WOODCARVING ART - BELO HORIZONTE, BRAZIL 2010
  • WORK OF PAUL RONDAGS, MAASTRICHT, NETHERLANDS
  • 4 - RAMBLIN WAYN MUSICAL CHARCOAL DRAWINGS - brasil 2010
  • 6 - CHARCOAL DRAWNINGS-RAMBLIN WAYN - ITABORAI, BRASIL 2010
  • the duTch arrive in VITORIA, BRASIL to SLAUGHTER the jesuit priest -WAYN CHARCOAL 2007
  • PARADISE - oil on wood, Brazil, 2010 - ramblin wayn
  • Brazilian cow-girl Andressa Ribeiro - photo by unknown artist, anyway....
  • DAVID A COE SING 'RIVER' AT THE TENN. STATE PRISON
  • CLIP ' I FEEL SORRY FOR THE FOLKS DOWN THE ROAD' RW
  • LEZAR MONGHE, PAINTER FROM THE STATE OF MINAS GERAIS, BRAZIL - SHOWS HIS ART ALONG THE ICARAI BEACH IN NITEROI, RJ OCT. 2010
  • paintings Ramblin' Wayn- Brasil 2010
  • AMAZONIA (THE RIVER OF BLOOD) OIL ON CANVAS RAMBLIN WAYN 2010, MAASTRICHT, NETHERLANDS
  • WAYN PIETERS- V. RIJSSELT (1948) MAASTICHT, NETHERLANDS // MAI - EVERYTHING, EVERYWHERE (Thin oil and pencil on paper) 2010 ---SELF PORTRAIT (OIL ON BOARD) 2000
  • DOC WATSON IN NASHVILLE - FRONT/BACK from his album (VANGUARD RECORDINGS 1968)/photos JOEL BRODSKY
  • THE KILLER ROCKS ON
  • ASA BRANCA (WHITE WING) two vids: LUIZ GONZAGA - RAMBLIN' WAYN
  • MARIA ORTIZ- RAMBLIN' WAYN OIL ON BOARD (BRAZIL 20..?)
  • PENTHOUSE MODEL WITH HENNEP &THE SHOWERING PLAYMATE by Toine van Megen
  • TOINE Van MEGEN (1960) Eygelshoven, Netherlands - PLAYBOY PLAYMATES (oil on canvas)
  • 3 'MARYLINS' BY TOINE van MEGEN, (1960) EYGELSHOVEN, NETHERLANDS:
  • STEVIE RAY VAUGHAN - died 20 years ago
  • I HATE THE MAN (VIDEO CLIP) RAMBLIN' WAYN
  • JOHN LEE HOOKER - PAINTING BY MICHAEL FACEY (OIL ON WATERCOLOR PAPER)
  • FRIDA KAHLO PAINTINGS
  • FRIDA KAHLO (July 6, 1907 - July 13, 1954, Mexico)
  • KISAKA- PAWNEE SONG - CLARIFICATION
  • B&W RAMBLIN' WAYN FOTO SESSION by PAUL RONDAGH (MAASTRICHT, NETHERLANDS) SOMWHERE IN JUNE 2010
  • JP STINGRAY BLUES/ROCKER
  • SURREAL PAINTINGS VOL. 3; MICHAEL RYAN, MADALEINE VON FOERSTER, KARL PERSSON
  • 'SALVADOR, BAHIA' OIL ON BLADE 1999 RAMBLIN' WAYN
  • BRAZILIAN PAINTINGS
  • TWO PROSTITUTES ===== OIL ON CANVAS RAMBLIN W
  • JULIA GNUSE -- TATTOO-ART
  • E3 PAINTINGS BY EMILE NOLDE 1867-1956 GERMANY=========
  • Dennis Hopper, 74, Hollywood Rebel, Dies
  • THE MESSENGER --- RAMBLIN' WAYN oil on canvas 2002
  • ALEIJADINHO 'The LIttle Cripple' BRAZILAIN BAROQUE ARTIST -- plus short story by WAYN
  • RAMBLIN' WAYN IN BRAZIL
  • THE DEATH OF A BLUES SINGER IN SÂO PAULO- SHORT STORY BY RAMBLIN' WAYN part2 & end
  • THE DEATH OF A BLUES SINGER IN SÂO PAULO - SHORT BRAZILIAN STORY BY RAMBLIN' WAYN part1
  • THE CIRCUS OF THE CAFUZ -SHORT BRAZILIAN STORY TOLD BY WAYN (part 2 -- end)
  • THE CIRCUS OF THE CAFUZ -SHORT STORY TOLD BY WAYN (part 1)
  • 'BAIANA' IVAN DE MORAES, BRAZIL OIL ON CANVAS 1973
  • L.P COVER OF 'GIPSY BOY' BILLY JOE SHAVER 1977 (Project 'Enduring' covers)
  • FOTO SESSION RAMBLIN' WAYN by FRED EGGEN 2004
  • ART IN BELO HORIZONTE, BRAZIL NOV. 2009
  • ALONG THE JAPURI RIVER - OIL ON WOOD RAMBLIN' WAYN 1999
  • JOHNNY CASH (tHE GREATEST rOCK N' rOLL PHOTO EVER TAKEN) BY JIM MARSHALL
  • DRAWINGS BY PAUL RUMSEY
  • WOODY GUTHRIE (1912-1967) - THIS LAND IS MADE FOR YOU AND ME
  • RAMBLIN' WAYN POSTER 1981
  • PAINTINGS RAMBLIN WAYN GIRL WITH EXOTIC BIRD + MUSIC MAN
  • BLUE BUTTERFLY (BLAUWE VLINDER) PIERRE PIETERS, NETHERLANDS
  • RAMBLIN' WAYN HIS TATTOO GUITAR
  • WAYN ART -JACK DANIELS IF YOU PLEASE & WHORE LOVES WHITE HORSE
  • Images of The bleugrass songbook by Dennis Cyporyn 1976
  • O BANDEIRANTE and METAMORFOSE a poem for children by Cassiano Ricardo
  • PARAGUAÇU - WAYN Pieters, Brasil 2009 (oil on board) - Poem by Raquel Naveira
  • NÁ, THE MYSTERIOUS INDIAN WOMAN - a short story AS TOLD by Wayn Pieters -END
  • NÁ, THE MYSTERIOUS INDIAN WOMAN - a short story AS TOLD by Wayn Pieters PART 1 OF 2
  • paintings ANTONIO PARREIRAS MUSEUM PART 2 -potret and naked woman
  • VISIT AT THE 'ANTONIO PARREIRAS' MUSEA, NITEROI, RJ BRAZIL 22 SEPT. 2009 PART1
  • ANTONIO PARREIRAS - BRAZILIAN PAINTER part 3 'His Atelier' (Studio) 22 september 2009
  • TRAVIS LOUIE -UNTITLED [; N.Y
  • SCOTT G BROOKS - SURREAL PAINTINGS
  • GRAFFITI IN ITABORAI, RJ, BRASIL
  • COCA-WHORE -- nut &can [[[ WAYN - belo horizonte, Brasil
  • I MUST BE CRUEL ONLY TO BE KIND - RAMBLIN' WAYN
  • ANTONIO PARREIRAS - BRAZILIAN PAINTER
  • PAUL GAUGUIN 1848-1903
  • RAMBLIN' BABY
  • BRAZILIAN WOMEN - charcoal on paper WAYN 2009
  • DOC WATSON
  • ROBERT CRAIG sur-real
  • HELL, FREEDOM AND LIFE
  • 60 JOSEFINA--- RAMBLIN' WAYN OIL ON CANVAS
  • CHRIT JAMIN, MAASTRICHT, NETHERLANDS OIL PAINTINGS & GOUACHES
  • INDIAN NECKLACE NORTHEAST BRAZIL & CARVING OUT OF JACARANDA WOOD BRAZIL
  • PORQUE, MEU AMOR? (why, MY love?) 2004 Wayn oil on board
  • SURUI GIRL oil on wood 60+60 WAYN 2009
  • I RECALL A GIPSY WOMAN & IANSÁ RAMBLIN' WAYN PAINTINGS
  • TARSILA DO AMARAL BRAZIL MODERNISM - PAINTINGS
  • CARIOCA NA CAMA -OIL ON CANVAS 70/50 CM 2000 WAYN
  • DETAIL FROM 'PAPAGAIO' OIL ON CANVAS WAYN P 2006
  • WINDMOLEN (WINDMILL) OIL ON BOARD 1934 - PIERRE PIETERS (1920) MAASTRICHT, NETHERLANDS
  • BRAZILIAN ART IN 3 DIRECTIONS
  • BLUESMAN
  • STORY OF THE TWO BROTHERS - TOLD BY NAVAJOS OF NEW MEXICO AND ARIZONA
  • JOS KREBBEKS 'Ramblin' Wayn' 1983
  • OCTAVIO OCAMPO ++++ SURREAL-PAINTINGS
  • CHEYENNE LIFE IN THE OLD TIME as told by CHIEF HIAMOVI (HIGH CHIEF)
  • 'CIGARA BETWEEN ITAIPÚ BONES' - COMPILATION oil on tile/bones/insect Ramblin' Wayn 2009
  • The story of the first mother -- Wabanakis ( Children of the dawn-country) tribe
  • IS EVERY HUMAN'S LIFE WRITTEN BY GOD'S FINGERS?
  • NASHVILLE - DARK END OF THE STREET 1979
  • HONKY-TONK HEROES photographs by Raeanna Rubinstein 1975


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