Dit is ons nieuw hondje Kira, een kruising van een waterhond en een Podenko. Ze is sinds 7 februari 2024 bij ons en druk bezig ons hart te veroveren. Het is een lief, aanhankelijk hondje, dat zich op een week snel aan ons heeft aangepast. Ze is heel vinnig en nieuwsgierig, een heel ander hondje dan Noleke.
This is our new dog Kira, a cross between a water dog and a Podenko. She has been with us since February 7, 2024 and is busy winning our hearts. She is a sweet, affectionate dog who quickly adapted to us within a week. She is very quick and curious, a very different dog than Noleke.
DEAR VISITOR,
MY BLOG EXISTS ALREADY 12 YEARS AND 10 MONTHS.
ON 06/04/2024 MORE THAN 1.951.050
VISITORS FROM 134 DIFFERENT NATIONS ALREADY FOUND THEIR WAY TO MY BLOG.
THAT IS AN AVERAGE OF 400GUESTS PER DAY.
THANK YOU FOR VISITING MY BLOG AND HOPE YOU ENJOY EACH TIME.
The purpose of this blog is the creation of an open, international, independent and free forum, where every UFO-researcher can publish the results of his/her research. The languagues, used for this blog, are Dutch, English and French.You can find the articles of a collegue by selecting his category. Each author stays resposable for the continue of his articles. As blogmaster I have the right to refuse an addition or an article, when it attacks other collegues or UFO-groupes.
Druk op onderstaande knop om te reageren in mijn forum
Zoeken in blog
Deze blog is opgedragen aan mijn overleden echtgenote Lucienne.
In 2012 verloor ze haar moedige strijd tegen kanker!
In 2011 startte ik deze blog, omdat ik niet mocht stoppen met mijn UFO-onderzoek.
BEDANKT!!!
Een interessant adres?
UFO'S of UAP'S, ASTRONOMIE, RUIMTEVAART, ARCHEOLOGIE, OUDHEIDKUNDE, SF-SNUFJES EN ANDERE ESOTERISCHE WETENSCHAPPEN - DE ALLERLAATSTE NIEUWTJES
UFO's of UAP'S in België en de rest van de wereld In België had je vooral BUFON of het Belgisch UFO-Netwerk, dat zich met UFO's bezighoudt. BEZOEK DUS ZEKER VOOR ALLE OBJECTIEVE INFORMATIE , enkel nog beschikbaar via Facebook en deze blog.
Verder heb je ook het Belgisch-Ufo-meldpunt en Caelestia, die prachtig, doch ZEER kritisch werk leveren, ja soms zelfs héél sceptisch...
Voor Nederland kan je de mooie site www.ufowijzer.nl bezoeken van Paul Harmans. Een mooie site met veel informatie en artikels.
MUFON of het Mutual UFO Network Inc is een Amerikaanse UFO-vereniging met afdelingen in alle USA-staten en diverse landen.
MUFON's mission is the analytical and scientific investigation of the UFO- Phenomenon for the benefit of humanity...
Je kan ook hun site bekijken onder www.mufon.com.
Ze geven een maandelijks tijdschrift uit, namelijk The MUFON UFO-Journal.
Since 02/01/2020 is Pieter ex-president (=voorzitter) of BUFON, but also ex-National Director MUFON / Flanders and the Netherlands. We work together with the French MUFON Reseau MUFON/EUROP.
ER IS EEN NIEUWE GROEPERING DIE ZICH BUFON NOEMT, MAAR DIE HEBBEN NIETS MET ONZE GROEP TE MAKEN. DEZE COLLEGA'S GEBRUIKEN DE NAAM BUFON VOOR HUN SITE... Ik wens hen veel succes met de verdere uitbouw van hun groep. Zij kunnen de naam BUFON wel geregistreerd hebben, maar het rijke verleden van BUFON kunnen ze niet wegnemen...
12-01-2015
Nu ook Chemtrails bij ons ?
Nu ook Chemtrails bij ons ?
Sint Katelijne Waver , 6 januari s´morgens
Mijn echtgenote is bezig in de keuken , het is open weer ,krijgt plotseling door het venster naar buiten kijkend de streeppatronen in het zicht zoals weergegeven in bijkomende foto´s . Ze verwittigt me al zeggend dat ze dit zeer abnormaal vindt en het niet kan verklaren als de strepen achterlaten door vliegtuigen op grote hoogte . De strepen staan immers loodrecht op mekaar en zoveel op zo een korte tijd vindt ze ook niet juist.De strepen verwijden zich tergend langzaam en lossen niet op zoals de vliegtuiguitlaatgassen. Ikzelf vond ze ook vreemd genoeg om ze te fotograferen. Na verloop van een paar uur was de hemel compleet dicht en van de heldere lucht niets meer te bespeuren.
Om de zaak noch mysterieuzer te maken werd in het avond nieuws meedegedeeld dt de spoedafdelingen van de ziekenhuizen overstelpt werden met personen met ademhalingsproblemen! Toeval?
De literatuur in de VS staat vol van dergelijke gevallen na optreden van Chemtrails!
Het is daar een ware Hetze over het besproeien van bewoonde gebieden door onbekenden
De luchtmacht ontkent in alle toonaarde en de ware daders hulden zich in absoluut stilzwijgen
Ik meen dit te moeten melden zeker omdat we er allen vast van overtuigd zijn dat dit bij ons niet gebeurt
Groeten
Jan
12-01-2015 om 21:03
geschreven door peter
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NASA confirms UFO on Mars
NASA confirms UFO on Mars
Confirmed Unknown object in the sky of Mars, NASA statement...
12-01-2015 om 20:49
geschreven door peter
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Grote cirkel gespot op Antarctica: is dit een meteorietinslag? - HLN.be
Grote cirkel gespot op Antarctica: is dit een meteorietinslag? - HLN.be
WetenschapWetenschappers zijn op de Zuidpool op een 2 kilometer brede cirkel gestoten. Mogelijk gaat het om een krater van een meteoriet, die in 2004 op Antarctica landde.
De cirkelvormige structuur bevindt zich dichtbij de Belgische Prinses Elisabethbasis op Antarctica en werd ontdekt door Duitse onderzoekers die momenteel in de basis verblijven. De wetenschappers waren bezig met een geologisch onderzoek vanuit de lucht, toen ze de cirkel zagen op het Koning Boudewijn-ijsplateau.
De onderzoekers doken in de wetenschappelijke literatuur over het continent. Twee studies doen vermoeden dat de cirkel het gevolg is van een meteorietinslag in 2004. Amerikaanse en Canadese wetenschappers concludeerden op basis van opnames van infrasoon geluid dat er dat jaar een vrij groot object naar beneden moet zijn gekomen. Australische onderzoekers vonden in dezelfde periode hoog in de atmosfeer een spoor van stof, dat wellicht veroorzaakt werd door een meteoor.
Verder onderzoek moet nu meer duidelijkheid brengen. De Duitse wetenschappers hebben na de ontdekking nog meer foto's en video's gemaakt en plannen binnenkort ook een onderzoek op het terrein.
Stories about Black Eyed Kids began to appear in 1988, starting with journalist Brian Bethel reporting of a meeting with two unusually confident and eloquent children who attempted to talk him into giving them a ride in his car. In his story Brethel said that he almost opened the door and let the children in until he noticed that their eyes were completely black, with no iris or pupil. As he says, as soon as children realized he sees something odd, they became angry and insistent, and he drove away quickly. In his posting he implies that this children may have been using some mind control method to induce him to open the door.
Since this post, there have been other reports of similar experiences in other parts of the country. These accounts are similar to Bethel’s in that they generally involve the children’s request for the person to let them inside their car or house, frequently using an excuse such as “I need to get home to my mother,” or something that implies the child is in need.
If we are to trow away at least 70% of the stories found online about these approaches and take that 30% are some of the truth how can we explain it? There are lot of people who would for their own entertainment or write a story of this kind just to make fun of people who are into paranormal stuff. If we are to look logically into these stories about meetings with these children, we get to learn that all of them were asking to be let in, saying that they can’t get in until they are invited. It seems like, all of the people who are reporting about this unusual encounter, have never let the child or children in because of the fear. There for we don’t know what happens if you invite this kind of a child into your home or car. Going down the logical path, you all know that contact lenses of these kind can be found easily, this is not a mission impossible. But, still, stay logic with me, why would a child do something like this? For a laugh? Still this doesn’t sound right to me.
The most bizarre contradiction to the story is the fact that Black Eyed Kids are said to give off a frightening vibe. Those that meet them claim to feel threatened, panicked and even disoriented. Some believe that this could be a result of their black eyes, maybe some sort of hypnotic suggestion used as an attempt to convince the person to let them inside their house or vehicle.
Their persistence to be invited in is a scary one. We must remember that the idea of an evil presence needing some sort of invitation before entering a house (or even a human being) is a longstanding belief in many religions. Choosing a form of a child is a clever one. Because, people would rather say yes to a needy child coming up in the middle of the night on the doorstep than to a man or women.
What these children could be? Vampires, human/alien hybrids, lost souls, demons in disguise? None of these are something you can point a finger on it. Can this be a hoax? Did we get any conclusion? Sadly, no, but we’ll look into this and if you had an encounter with these children let as know…
Heeft NASA het bewijs van leven op Mars gevonden? - HLN.be
Heeft NASA het bewijs van leven op Mars gevonden? - HLN.be
Bron: Huffington Post/Belga
De wetenschap heeft zopas een belangrijke stap gezet in de zoektocht naar leven op andere planeten. Ruimterobot Curiosity, eigendom van NASA, heeft een piek in de uitstoot van methaan op Mars gemeten, wat wijst op de aanwezigheid van levende organismen. Ook werd voor het eerst definitief bewijs van organische moleculen gevonden.
Dat er op Mars een kleine hoeveelheid methaan aanwezig is, was al bekend. Het ging echter over zo'n kleine gehaltes dat dat niet echt als een aanwijzing voor leven werd beschouwd. De wetenschappers van NASA die zich met Curiosity bezighouden meldden vandaag echter dat de dure robot - goed voor zo'n 2,5 miljard dollar - een piek kon opmeten.
De wetenschappers hebben geen enkel idee waar het methaan vandaan komt, maar het zou wel eens kunnen wijzen op het bestaan van levende organismen op de rode planeet. De meest logische verklaring voor de aanwezigheid van methaan is immers dat het werd aangemaakt door bacteriën.
Olievelden of koeien Op onze planeet komt CH4 in de natuur voor in samenhang met aardolie. Het wordt ook aangemaakt door bacteriën in de voormagen van runderen. Het idee dat er olievelden of koeien op Mars voorkomen, lijkt evenwel vergezocht.
De wetenschappers baseren zich voor hun vaststelling dat methaan op regelmatige basis op de Rode Planeet wordt uitgestoten, op meer dan twintig maanden van informatieverwerking. Curiosity stelde het methaan vast in de krater van Gale, waar de jeep in augustus 2012 plaats vatte.
Chemicaliën De NASA meldde ook dat Curiosity verschillende Martiaanse chemicaliën heeft ontdekt in het poeder dat de robot uitboorde uit de Cumberland-rots. Het gaat om de eerste definitieve ontdekking van organische elementen in het Marsoppervlak. Het is wel niet duidelijk of die organismen zich op Mars zelf hebben gevormd of er gekomen zijn door een meteorietinslag.
Organische moleculen zijn geen bewijs van leven op Mars. Maar ze zijn op aarde wel de bouwstenen van alle leven en hun aanwezigheid wordt dan ook algemeen beschouwd als een absolute voorwaarde voor leven op Mars.
Leven op MarsErg spectaculair ziet deze foto er niet uit - meer dan een rots met wat stof erop is niet te zien. Maar na een grondige studie van deze en andere foto's van het oppervlak van Mars beweert een geobiologe nu dat deze kenmerken slechts van één bron kunnen komen: microben. Bewijs dat er ooit leven was op Mars, is dit niet. Maar het is in ieder geval een intrigerende hypothese, die heel wat wetenschappers in de ban houdt.
Nora Noffke van de Old Dominion University in Virginia bestudeerde foto's die de Marsjeep Curiosity nam van de rotsformatie in Yellowknife Bay, waar zich ooit Gillespie Lake moet bevonden hebben. Vanuit de veronderstelling dat hier vroeger water was, ging Noffke op zoek naar sporen van afzettingsgesteenten die ontstaan door microbieel leven.
Eencellige organismen, of microben, kunnen een biofilm vormen. Dat is een verzameling van microben die aan een oppervlak blijft kleven door het slijm dat ze produceren. Noffke noemt het een 'microbieel matje'.
De geologische lagen die op die manier ontstaan, komen op de aarde in diverse omgevingen voor: in lagunes, wadden, meren en op de oevers van rivieren. Miljarden jaren geleden raakten deze bacteriën verstrikt in ondiepe wateren. Hun fossiele overblijfselen zijn vandaag nog steeds identificeerbaar.
Indien Mars ooit microbieel leven in een vroeg stadium huisvestte, zag dat er wellicht net zo uit als microben in een vroeg stadium op aarde, zo redeneerde Noffke. In een paper in het vakblad Astrobiology analyseert ze meer dan tien foto's die Curiosity maakte van het Marsoppervlak in Gillespie Lake, een opgedroogde meerbedding die ongeveer 3,7 miljard jaar geleden met water gevuld was. De biologe vergeleek de sedimenten met 3,48 miljard jaar oude microbenafzettingen die ze zelf ontdekt heeft in Australië - en vond treffende gelijkenissen. Kenmerken die overeenkwamen, waren geologische overblijfselen als scheuren, schilfers, putten en bogen.
"Grote bijdrage"
Noffke geeft toe dat dit geen bewijs is voor leven op Mars, en zegt dat het mogelijk is dat de structuren van het Marsoppervlak ontstaan zijn door niet-biologische factoren, zoals winden of neervallende kiezels. Maar, zo stelt ze, gezien de vele gelijkenissen zou dat een buitengewone toevalstreffer zijn.
Collega's zijn lovend over haar onderzoek. "Het feit dat ze op deze structuren gewezen heeft, is een grote bijdrage voor de wetenschap", zegt geomicrobiologe Penelope Boston aan Astrobiology Magazine. "Samen met recente verslagen van methaan op Mars, voegen haar bevindingen een intrigerend stukje toe aan de puzzel."
In May of 2013 the Paradigm Research Group held a five day hearing at the National Press Club in Washington DC just blocks from the White House. Six former members of Congress heard over thirty hours of testimony from over forty witnesses on the issue of Extraterrestrial Related Phenomena. This included military personal who witnessed America’s Minute Men Missiles disabled while glowing red balls floated just outside the gates, government officials such as former Canadian Defense Minister Paul Hellyer, and Apollo 14 Astronaut Edgar Mitchell to name just a few.
It is now time to call for the actual Congress of the United States to hear the testimony of these witness and many more we have ready and willing to testify when granted Congressional Immunity. The “Disclosure Petition VII – Congressional Hearings” is now up on the White House website and ready for signatures.
If 100,000 signatures are obtained by February 6, the President will be required to respond and the petition will remain on the White House website for the remainder of the President’s term in office.
Any citizen from any nation can register and sign here: wh.gov/igRrq
The more signatures, the more media attention!
Disclosure is in the hands of We The People!
Video: Stephen Bassett is a leading advocate for ending the 60-year, government imposed truth embargo regarding an extraterrestrial presence engaging the human race. He is a political activist, lobbyist, commentator, columnist and conference producer. He is the founder of the Paradigm Research Group, the Executive Director of the Extraterrestrial Phenomena Political Action Committee (X-PPAC), the creator of the Paradigm Clock and the executive producer of the X-Conference. Since 1996 Bassett has assisted many organizations and initiatives making the case for 1) an end to the government’s truth embargo, and 2) open congressional hearings to take the testimony of former military and agency employees witness to extraterrestrial-related events and evidence. He has appeared on hundreds of radio and television talk shows and in numerous documentaries delivering the message to millions of people of the likelihood and implications of “Disclosure” – the formal acknowledgement of the ET presence by the governments of the world.
Video: Chief Legal Council Daniel Sheehan on the Nature of Government Secrecy.
Video: Former Canadian Defense Minister Paul Hellyer: Aliens could share more technology with us…
Did Curiosity photograph microbial remains on Mars?
Did Curiosity photograph microbial remains on Mars?
(Credit: NASA/JPL/Caltech)
A scientist believes that formations in Martian rocks may have been created by microorganisms.
Dr. Nora Noffke, a geobiologist at Old Dominion University in Virginia, studied images photographed by NASA’s Curiosity Mars rover. These particular photos were taken as Curiosity made its way through a dry lakebed in Yellowknife Bay. She noticed several similarities between Martian sedimentary structures and and microbial structures on Earth, leading her to believe that the structures might be evidence of ancient extraterrestrial life.
“In one image, I saw something that looked very familiar,” Noffke explains to Astrobiology Magazine. “So I took a closer look, meaning I spent several weeks investigating certain images centimeter by centimeter, drawing sketches, and comparing them to data from terrestrial structures. And I’ve worked on these for 20 years, so I knew what to look for.”
Comparison between structures on Mars and a modern microbial mat on Earth. (Credit: Nora Noffke/Astrobiology)
Based on her decades of experience, Noffke thinks there is a really good possibility that these Martian sedimentary structures are consistent with biological origin. But Curiosity mission project scientist Ashwin Vasavada disagrees. “We really didn’t see anything that can’t be explained by natural processes of transporting that sand in water, and the nature of the rocks suggested that it was just a fluvial sandstone,” Vesavada explains to Space.com.
Curiosity’s Sample Analysis at Mars (SAM) instrument. (Credit: NASA/JPL-Caltech)
Astrobiology Magazine points out that, “although Noffke makes a tantalizing case for possible signs of ancient life on Mars, her report is not a definitive proof that these structures were shaped by biology. Getting such confirmation would involve returning rock samples to Earth and conducting additional microscopic analyses, a mission that isn’t scheduled anytime in the near future.”
And Noffke agrees. “All I can say is, here’s my hypothesis and here’s all the evidence that I have,” she states. But she firmly believes that “this evidence is a lot.”
The paper detailing Nofke’s research was published in the journal Astrobiology.
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UFO over Popocatepetl Volcano what are monitoring and guarding, January 2015, UFO Sighting News.
UFO over Popocatepetl Volcano what are monitoring and guarding, January 2015, UFO Sighting News.
Date of sighting: Jan 1, 2015
Location of sighting: Volcano Popocatepetl, Huejotzingo,Puebla, Mexico
Eyewitness states:
The UFO was recorded above the crater of the volcano Popocatepetl. This recording was done on January 1, 2015, and a witness, my niece Natally. Near the volcano were some moving objects or at least above the crater. I was walking in Huejotzingo and could not miss the opportunity to see the volcano lagoon. This is video is phenomenal, really. Location Huejotzingo, Puebla, Mexico, January 1, 2015.
12-01-2015 om 14:07
geschreven door peter
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Amazing UFO sighting over Charleroi Belgium on 2nd January 2015
Amazing UFO sighting over Charleroi Belgium on 2nd January 2015
An amazing phenomenon occurred in the sky over Huancavelica in Peru on January 10, 2015.
The footage shows a bright colorful object which energy flows in a spherical core in all directions. Two distinct rays are projected in opposite directions just as a neutron star or pulsar.
Is something burning up in the atmosphere are does this phenomenon suggest that it is a UFO in a high-energy state, or as UFOVNI suggest this UFO-like object became visible due to a “Pauli Effect”.
The Pauli effect is a term referring to the apparently mysterious, anecdotal failure of technical equipment.
Other possibilities:
It is a pyrotechnical object.
Pyrotechnics is the science of using materials capable of undergoing self-contained and self-sustained exothermic chemical reactions for the production of heat, light, gas, smoke and/or sound.
Pyrotechnics include not only the manufacture of fireworks and flares but items such as safety matches, oxygen candles, explosive bolts and fasteners.
It is a Plasmoid object.
A plasmoid is a coherent structure of plasma and magnetic fields. Plasmoids have been proposed to explain natural phenomena such as ball lightning, magnetic bubbles in the magnetosphere and objects in cometary tails.
The energy jets from this object can be explained by the plasmoid phenomenon (plasma-magnetic entity). This phenomenon can fully explain the mechanisms that trigger and suppress jet formation. As a high-density energy storage phenomenon, the plasmoid would produce well-collimated jets after a time as determined by the process of particle collisions.
Below the interesting video of this strange and unexplained phenomenon.
A high resolution NASA photo taken by the crew of spacecraft Gemini 12 shows two glowing objects in the background.
Streetcap1 who discovered the two objects: “Is it possible that these brightly colored objects came to observe man’s attempts to conquer space travel? Or are they secret satellites”?
“But in the days there were not many satellites launched c.1966 (From 1957 to 1966 just only 16 satellites).”
“Either way they are a long way off and I would presume quite large.”
The photo link is under the video – be aware it is a large download depending on your broadband speed.
Skywatcher Obengware from Jakarta, Indonesie captured a possible UFO near the ‘Orion Nebula’ on January 11, 2014.
While using a Nikon DS100 camera fixed on tripod –position 90 deg. Vertical with a Tamron 70-300mm, Zoom max 300mm (450mm with APS-C sensor) he noticed an object next to the Orion Nebula.
Resolution Photo RAW 4928×2772 pixel. Link: Original photo
The object makes movements which are very different in comparing with the surrounding stars. All the stars move downward while the object moves upward.
Obengware took about 9 times (batch) x 30 photos, with different setting, angle and zoom. After the first batch photos using Lightroom, the moving object plus one meteor showed up.
Checking Spotstation.nasa.gov the only given information on that site: No sightings at this location for this period (Saturday Jan 10, 2015 through Saturday Jan 24, 2015).
Obengware wonders whether this object is a UFO, space junk or a secret spacecraft like the top-secret X-37B.
AMAZING 1950 UFO PHOTO DETERMINED TO BE THE REAL THING MAY 11, 1950 ….. McMINNVILLE OREGON
A classic set of impressive UFO photos was taken by Mr. and Mrs. Trent in the early part of the evening, just before sunset, on May 11, 1950, near McMinnville, Oregon. According to the Trent’s account the object, as it appeared over their farm was first seen by Ms. Trent while she was feeding the farm’s rabbits She then quickly called her husband who got the family’s camera and Mr. Trent then took two shots from positions only just a few feet apart. The pictures first appeared in a local newspaper and afterwards in Life magazine. Seventeen years later the photos were subjected to a detailed analysis for the University of Colorado UFO Project. William K. Hartmann, an astronomer from the University of Arizona, performed a meticulous photometric and photogrammetric investigation of the original negatives, and set up a scaling system to determine the approximate distance of the UFO. Hartmann used objects in the near foreground, such as a house, tree, metal water tank, and telephone pole, whose images could be compared with that of the UFO. There were also hills, trees, and buildings in the far distance whose contrast and details had been obscured by atmospheric haze. Hartmann used these known distances of various objects in the photo to calculate an approximate atmospheric attenuation factor. He then measured the relative brightnesses of various objects in the photos, and demonstrated that their distances could generally be calculated with an accuracy of about +/- 30%. In the most extreme case, he would be in error by a factor of four. He then wrote: “It is concluded that by careful consideration of the parameters involved in the case of recognizable objects in the photographs, distances can be measured within a factor-four error … If such good measure could be made for the UFO, we could distinguish between a distant extraordinary object and a hypothetical small, close model.” Hartmann then noted that his photometric measurements indicated that the UFO was intrinsically brighter than the metallic tank and the white painted surface of the house, consistent with the Trent’s description that it was a shiny object. Further, the shadowed surface of the UFO was much brighter than the shadowed region of the water tank, which was best explained by a distant object being illuminated by scattered light from the environment. “it appears significant that the simplest most direct interpretation of the photographs confirms precisely what the witnesses said they saw”
Hartmann further wrote that “to the extent that the photometric analysis is reliable, (and the measurements appear to be consistent), the photographs indicate an object with a bright shiny surface at considerable distance and on the order of tens of meters in diameter. While it would be exaggerating to say that we have positively ruled out a fabrication, it appears significant that the simplest most direct interpretation of the photographs confirms precisely what the witnesses said they saw.” In his conclusion, Hartmann reiterated this, stressing that all the factors he had investigated, both photographic and testimonial, were consistent with the claim that “an extraordinary flying object, silvery, metallic, disc-shaped, tens of meters in diameter, and evidently artificial, flew within sight of [the] two witnesses.” KEN PFEIFER WORLD UFO PHOTOS AND NEWS WWW.WORLDUFOPHOTOSANDNEWS.ORG WWW.WORLDUFOPHOTOS.ORG THANKS TOWWW.UFOCASEBOOK.COM CASE FILES, BRIAN ZEILER ANDWWW.NICAP.ORG
Canadese oud-minister: "Wereld moet vrije energie uit de kosmos benutten"
Canadese oud-minister: “Wereld moet vrije energie uit de kosmos benutten”
De Canadese oud-minister van Defensie Paul Hellyer zegt dat er een einde kan komen aan de problemen op aarde door de grote banken hun macht te ontnemen en vrije energie uit het universum te benutten.
De oud-politicus zorgde voor ophef door te zeggen dat hij in UFO’s gelooft. “Ze zijn net zo echt als de vliegtuigen die boven je hoofd vliegen,” vertelde hij aan de krant Ottawa Sun.
In zijn nieuwe boek The Money Mafia schrijft hij dat de wereldwijde economische onzekerheid is te wijten aan een ‘handvol’ grote banken die 95 procent incasseren van iedere dollar die ze uit het niets maken.
“We hanteren een systeem dat krankzinniger dan krankzinnig is,” zei Hellyer. “Dit systeem stelt banken in staat om dezelfde hoeveelheid geld 20 keer uit te lenen.”
De Canadese overheid mag wat hem betreft meer geld drukken, maar moet banken verplichten om meer geld in kas te hebben.
We kunnen volgens Hellyer een einde maken aan onze afhankelijkheid van fossiele brandstoffen door ‘de energie die overal in de kosmos aanwezig is’ te benutten. Mensen kunnen de motor van hun auto en hun cv-ketel vervangen door een klein apparaat dat de ‘exotische energie’ uit het universum benut, aldus Hellyer. Hij zei dat er een complot is van de banken om deze technologie weg te houden bij het volk.
In 2005 zei Hellyer openlijk dat hij samen met zijn vrouw een UFO had gezien en openstaat voor theorieën over intelligent leven op andere planeten.
Did you see a UFO? Report it using this form or send us e-mail to report@latest-ufo-sightings.net !
Ripley Derbyshire, UK – 11th January 2015 I’ve just seen a orange light heading towards the east. Time was 06.55 am. Object was very bright in the dark skyas it was just about to get light but still very dark. Object was moving quite fast like a low level jet but was obviously higher in the night sky. No sound heard at all. I’ve checked the ISS which was over a different part of Central Europe. Looked with binoculars for a short time after running upstairs before it disappeared behind rooftops. Seemed to have a triangular shape to it.
Martin
Twin City, Georgia – 01/08/2015 We were driving home from dinner. Myself, my husband and my two young sons. We were less than a mile from our home when we came to an opening over a field and we saw 6 bright lights, just over the field but still knew that it was on the other side of the highway. They were in a horizontal line. The lights alternated blinking, however it was clear that there were 2 sets of 3 lights. They were bright, round and yellow. Each light would slowly fade in and out and they each did it at different times. We stopped the car to try to figure out exactly what we were looking at. As we did, the 3 lights on the right side each took a turn lighting up seperately, only to never re-light. Then the one on the left followed suit. They sky was completely clear and empty. No clouds. Just stars in the distance. No noise. It just complelty disappeared. Or seemed to.
Brandi
Warrington , UK – 4 January 2015 I saw this in the sky on Sunday 4th Jan about 1pm whilst taking my son for a walk in Warrington England. Have seen a lot of morphing shapes above my house since my 1st sighting…. Not sure if it’s from another world etc, but was worth a pic anyway!
Balboa Peir, Newport Beach, CA – 1/4/15 Began filming 6mp HD on my camera phone out on pier, this orb during my filming started of as a single orb, by the end of the series of video, not only is the orb just flying above my head, it has now morphedbto multi-flashing orbs…if it is normal craft no problem, but I do not think so, during filming, its almost as when I’m talking during filming, there are 2 different energies…
The building should be iconic, I think. On the highway between Silverlake area and the Getty museum. – 12-27-14 I took these pictures on my first trip to Los Angeles to send to my mother who couldn’t be with me. I was showing the building photos to a friend when I noticed the hovering bell shape over the two photos I had snapped. They were taken in just a few seconds from the car on the way to the Getty museum. I tried to post the two original photos but couldn’t because they are ‘too large’. I don’t know how to change the resolution from my phone. I will happily send the original pictures if you contact me with interest. This was an unexpected find!
Naomi
Sterling Colarado – September 1st 2014 IT was big and had tree lights and fell into the woods behind town
The following was posted in the YouTube description box of a video uploaded on the 4th of January 2015 by the user "JennyArea51Insider":
My name? My name is... it doesn't matter; just call me "Jenny". I was a scientist working for... actually I'm not a hundred percent sure WHO I was working for. The truth is, I was originally a scientist at an average pharmaceutical company laboratory. One day somebody in a dark suit who didn't introduce himself came to see me and said I'd been "selected". He offered me a job with five times my current salary, no questions asked; well, I jumped at it on the spot. I had to sign any number of secrecy papers, but I didn't stop to read the small print. My mortgage was year in arrears, I was about to lose my house, my husband was threatening to run off with the kids; what would YOU have done!? I travelled to work every day from Las Vegas McCarren International Airport on a Janet plane to the airbase you know as "Area 51"; I won't tell you its real name. From there I got on a bus without windows and a dark curtain over the driver's cab and we drove a few miles to... somewhere nearby, don't know in which direction exactly. It was underground, don't know how deep; it took three minutes down in a lift, that's all I can tell you. No stairs, no fire escape. Armed security guards in masks everywhere! Guns pointing at you every second! I can't give you too many details about my job; it might reveal my identity and that of others. But basically I had to do tests on these... things... creatures; I don't know what they were or where they came from, but the word is our employers have their spacecraft in hangers at ground level. The creatures were kept on the deepest level of the basement. Little short, spindly humanoids. They were grey-coloured and had wrinkly skin, almost reptilian. Their eyes!... Oh my God! They were like huge black holes! And if you looked into them it gave you the strangest feeling, like they were reading your thoughts. I had to analyze what they called "blood" and "skin", but it was nothing like that from any animal I was familiar with. I don't know if they were there of their own free will or they were prisoners. Some of them died and once or twice we did a post-mortem. I had to film them with a camera. At the end of the examination we always stored any film, photographs and documents in a special vault with an electronic registry system for checking items in and out. Anyway, yesterday after one of these examinations, I had to stow the film and the registry computer crashed just after I'd scanned the film in. It failed just in time before the door on the vault shut, so it was left hanging open. I suddenly realized that as far as the records were concerned the film was filed correctly with the door sealed, but in fact it was still in front of me with the door open... if I took it out, nobody would know. I never planned this, honestly! The thought never even crossed my mind before! The idea just suddenly popped into my head and I acted instinctively. I knew I had to hide it because our pockets and bags are searched and scanned. The film was on a very small mini-disk so I ripped a hole in my stocking and shoved it into my shoe. I pushed it down so it was under the arch of my foot and walked off. I could feel it there, digging into the sole of my foot. I hoped that the leather of my shoe would shield it from the body scanner we have to go through when entering or leaving the complex. God, I was scared, because if it wasn't hidden alright I'd be caught red-handed! People on the staff just "disappear" every so often and rumour has it they're not just sacked. But it was too late to turn back! Whew! The scanner didn't buzz. I tried hard to look and act normal as we went up in the lift to the big enclosed car park where the bus picks us up. When I got off the Janet at McCarren I almost fainted with relief. Anyway I didn't go straight home but used a library many miles away in another town; don't want my home computer to be traced. I've never had a YouTube account before but it was easy to set one up anonymously. I had to convert the files because they're in some very weird format, but I managed to do it and so what you're seeing here is what I filmed. I think the world has a right to know what's going on in secret deep below Area 51!...
The above makes disturbing reading. It's similar to what has been posted many times all over the Internet almost since the World Wide Web began. You may be wondering who "Jenny" or "JennyArea51Insider" is and whether her story is real or not; let me tell you right now that is it not real. "Jenny" doesn't exist; I invented her myself and completely made up the story you've just read. The video link is one I corrupted which is why it's blank; don't worry it wasn't taken down by the CIA before you got the chance to watch it. But if I can do that so can many other people, and indeed they have. Normally accompanying these angst-ridden blurbs are the videos themselves; I've found several hundred on YouTube of varying degrees of quality and persuasiveness. The most well-known is Ray Santilli's notorious "Alien Autopsy", now completely discredited; but it's not the only one by far. However most of the others are more recent and, as I say, fairly unconvincing. There are exceptions though. I'd say generally older videos are more likely to be the real thing; though not always of course, as in the case of the Santilli film. The reason I trust the old ones more is because of the lack of very good and easily accessible special effects that is the curse of the modern age; what I whinge about here: http://hpanwo-tv.blogspot.co.uk/2011/06/fake-alien-videos.html. This inundation of home Photoshopping has caused major obstacles for serious paranormal research; there is now a catastrophic signal-to-noise ratio problem in UFOlogy. It's sad because some of these videos could be real, but how can we possibly sort the wheat from the chaff? I can walk down a high street in Nairobi and purchase a software suite, for an affordable price, that will give me the ability to create realistic imagery that it is virtually impossible to prove as fake. Photographic evidence simply does not carry the same weight that it used to. It's a shame because if my fictional character Jenny has counterparts in real life then what would they do? Send their film to the press? No, she'd suspect the package would be intercepted. She would want to be able to publish the evidence herself, instantly, to the maximum possible audience. The chances are that a real person in that situation would indeed upload the material to YouTube and other similar video sharing sites. Of course these video sites usually have comments boxes under each video and how would they read?: "Another fake", "Total BS", "Fake as Jordan's tits!", "Pwned!" "Get a life, m8", "not another one!". Therefore the people who make these fake videos are doing genuine investigation a great disservice. Poor Jenny would become the ultimate little boy who cried wolf, through no fault of her own.
The timing of the release of the Santilli film in May 1995 could be significant, for reasons I'll detail later. It was a sensation across the world and in August a US network documentary was broadcast all about the film which achieved massive viewing figures,
The high public approval of the film was not reflected within the UFOlogical community. Very few experts thought it was real; most were either on the fence or denounced it as a fake, including Philip Mantle who has written an essential and definitive book on the subject,
It didn't take long before gaps and inconsistencies emerged in the film and Santilli's story, and his small cluster of supporters began to drain away; but it was not until 2006 that Santilli eventually made a full confession. This was timed to coincide with the premier of the Warner Brothers feature film all about him, Alien Autopsy, staring Ant and Dec,
but that was eleven years later. Throughout the intervening decade if you said "alien autopsy" to anybody, almost all of them would immediately think of the Santilli film. However during that entire fame, fortune and media furore a second similar incident took place that received a fraction of the publicity, in fact today it is virtually unknown outside the UFO community. On Friday July the 26th 1996, a man phoned the Los Angeles offices of Rocket Pictures, a film and TV production company, and claimed to be in possession of a VHS cassette containing taped footage of an extraterrestrial being. The man called himself "Victor" and gave no further information about himself. Rocket Pictures asked to see the tape and Victor sent them a copy, not the original. After viewing it they asked Victor if he would be willing to be interviewed; he agreed, but only under very stringent protocols. Victor went to extraordinary lengths to withhold his identity; he wore a wig and a mask over his face, and he was shot in silhouette. He also used a sound modulator to disguise his voice. He insisted that the interview be scripted with a list of questions he had to approve first. He revealed that he had been present at Area 51 a short time before; Area 51 is a highly secret military compound in Nevada USA rumoured to be the location of covert government UFO research. However he wouldn't say what his job there is, or whether he was an employee, contractor or visitor; only that he had cause to be present on the base for whatever reason. His demeanour is very sullen and irritable; one gets the sense that he feels frightened and insecure. He speaks slowly and carefully, as if contemplating his words in advance. He chides the interviewer several times for deviating from the script and at one point walks out of the studio and has to be coaxed back. He gives a few details about how he managed to get hold of the recording. The film archive at Area 51 was all being transferred from video tape to digital disk and during this process some of it was inadvertently mislaid in the incorrect data system and this was how it came into Victor's possession. The film itself is silent; Victor says that the original does have a soundtrack, but that he removed it from the copy because he's concerned that it could disclose the identities of the people featured. The film is two minutes and fifty-five second long and is filmed from a single static camera on a continuous shot. The location is very dark and only a few small lights appear to be lit. In the foreground two people sit with their backs to the camera, half in and out of frame on each side. In front of them is what looks like table on which are laid some unidentifiable objects; although one of them is clearly some kind of electronic display which has a pulsating blue-white light. Another object is set to the right of the table that looks like it might be some coat hangers, although that resemblance is probably spurious. The background is completely black and only two squares of light show which might be TV screens or windows. It is later revealed that they are actually reflections from light sources behind the camera on a glass partition that is placed between the people and the table. A spotlight is shone at the end of the table revealing an unearthly creature with a large bulbous head and huge black eyes. Its skin is orangey brown or terracotta in colour. Its lower face is diminutive and seems to consist of just a snout with a small mouth and no lips; no nose is visible, although it turns out later that the being has a small one. The entity's shoulders are visible and they are very small in proportion to its head by human standards. The being moves its head smoothly at first as if looking around itself, but then it slumps over; I get the feeling it is sitting on a chair of some kind. It starts throwing its head around it fast jerky motions. The pulsating light on the device on the table changes its rhythm, giving the impression that this is some kind of medical monitor to which the being is hooked up, although it doesn't resemble any conventional vital signs monitors that are used in hospitals. The creature opens and closes its mouth over and over. It appears to be in distress. The two people in the foreground begin moving around too, as if concerned for the entity's wellbeing. Then two men emerge from the background dressed in surgical scrubs, hats and masks and medical gloves. They appear to be doctors and they begin holding the being's head and examining its face with penlights. It's hard to be sure, but it looks as if red liquid is issuing from its mouth and a part of its face which is where a nose would be expected to seen; one of the medics definitely wipes the creature's mouth with a cloth. On the bottom of the frame is printed DNI/27 and next to it is a time code which is set at 04:00:18 at the start; yet there are second fraction digits too, like an athletics stopwatch. It's not clear whether this indicates an elapsed time or the time of day. Victor says that "DNI" stands for "Department of Naval Intelligence"; however there is no such organization, at least in the United States. There is an Office of Naval Intelligence. Unless the "Department of Naval Intelligence" is a codename for part of the black budget world.
Victor explains that this is actually an "interview" in which the scientists on the project sit the alien being down and ask it questions. He describes the footage as late in a series of films made in a laboratory at "S4", a super-secret facility within the already top secret Area 51 base. S4 is alleged to be subterranean and lie underneath Papoose Lake, a dry lake bed south of Groom Lake where the main "Dreamland" base is and another witness, Bob Lazar, has already gone public about his service there. There are a number of aliens living at S4, whether as guests or prisoners, nobody is completely sure. The reason there's a glass partition is because it is actually a window; the alien is sitting in a separate room which is hermetically sealed to protect it from infection. It is very sensitive to terrestrial microbes. The being can't speak but can communicate telepathically and so a human with psychic abilities, termed a "telepath", needs to be present to interpret the being's thought forms into human language. There are a number of researchers sitting on the near side of the partition along with the psychic. Behind the camera there are allegedly a number of other seats. The entity being filmed has been at S4 since 1989 and so we can date the time of the interview between that year and 1996 when Victor went public. Once or twice a month the researchers carry out these "interviews" for a few hours; if they try to any more often or for longer periods the alien becomes unresponsive. Victor describes this programme as having limited success. Translation of its thoughts via the psychic is not always reliable. When it comes to scientific subjects communication often breaks down; the project's experts think this is because humans are not capable of understanding the advanced level of knowledge that the being's species has achieved. Interestingly the entity finds it easier to share information on spiritual concepts like the nature of the soul, life after death and reincarnation. It regards the body as a temporary material vessel or container for an eternal aetheric spirit; a common concept in many of the human world's religions. The reason the laboratory is so dark is because the aliens can't stand bright light. Their meagre build suggests that they evolved in a habitat that has a weaker gravitational field than that of the Earth and the creature did strike me as finding it difficult to hold its head upright. It can breathe our atmosphere with difficulty; this may well be one of the reasons these creatures suffer from so many health problems. Victor says that the emergency response from the medical team is far too slow and that the physicians chosen for the project tend to be selected on the grounds that they're unlikely to spill the beans rather than for their professional competence. Rocket Pictures decided to ask some special effects and movie props designers for their opinions. These were divided over the issue; some denounced it immediately as fake and Academy award-winning Rick Baker said unequivocally that the alien was a puppet with an operator sitting behind it in the dark moving it with his hand inside the head. However renowned image analyst Jim Dilettoso said that he couldn't work out how this effect could have been made. TV make-up expert John Criswell is more cautious, but still concedes that special effects couldn't explain everything and that if it were a fake, it was extraordinarily good. Like Rick Baker he believed that the darkness of the scene was used to hide a puppeteer or marionette strings. The viewpoint of those with a UFOlogist persuasion was similarly mixed. Robert O Dean, a former NATO intelligence expert was very upset by the video to the point that he wept; he's has a reputation on the scene for being an empath. Abductee author Whitley Strieber said "I hope to God it's fake because if it's not it makes me ashamed for mankind!" The Skeptics will love this, but Rocket paid Victor a considerable amount of money in rights for their use of the footage. Victor is unrepentant. He is aware how the money angle will be interpreted by detractors, but he has endangered not only his career but also his life; he needs a degree of financial compensation and also the funds necessary to protect himself should the authorities attempt retribution against him. Rocket eventually produced a TV documentary about the Interview, presented by the actor Steven Williams who played the black "Mr X" in The X-Files; it includes a complete and uninterrupted playback of the footage under question at 31.35, see: https://www.youtube.com/watch?v=XNtg7M4nqt4. A few weeks later Victor was interviewed by Art Bell on Coast to Coast AM, see: https://www.youtube.com/playlist?list=PL413F395E60653660. Victor's strategy is very different from other Area 51 whistleblowers like Bob Lazar and David Adair. These men chose to reveal their identity completely and hoped that nobody would dare to open fire in the middle of a crowd of people who knew who they were. There is sound logic behind this; if Bob Lazar had suffered any kind of illness or injury, or if he had committed suicide, after he came out, it would prove him right in the eyes of many. It would therefore be counterproductive for the authorities to carry out any kind of violent retaliation against Lazar. Far better just let him ramble on and hope as few people as possible took him seriously. Victor aggressively maintains his anonymity and this has its risks. If he were to "fall under a bus", so to speak, nobody would know. All that would happen is that people would stop hearing from him and he would vanish. However Victor is careful to state in the documentary that he has made plans in case that should happen, for a "dead man's trigger" to ensure that the nature of his demise would be not be silent. I imagine he hopes his former employers were all watching.
The reaction to the Alien Interview was comparatively negligible outside the world of UFO and conspiratorial interest groups; as I said the Alien Autopsy was enjoying the limelight, as well as having to endure burgeoning scepticism and Skepticism. Research into the Interview failed to turn up any further clues. Victor remained untraceable, unidentified and enigmatic; nobody knew where he was, or even if he were alive or dead. The best UFOlogists have the abilities and tenacity of Chandleresque detectives and can usually shake some information from the tree, even if it is ambiguous and disputed, as they very swiftly did with the Alien Autopsy; but the background to Victor and his story remained completely nebulous. For a while there was some speculation that Victor was actually Whitley Strieber, but that was quickly discounted. During his 1997 Coast to Coast interview Victor declared that this would be his last ever public appearance. After the initial video analysis no further progress on the study of the Interview footage was made until over seventeen years had passed, as I'll detail later. However, in June 2008, totally out of the blue, Victor once again contacted Rocket Pictures asking for a new interview and demanding further payment for it. This time the interview was outdoors. The host picked him up in a car and they drove to an isolated lay-by out in the country. There were some theatrics to Victor's disguise this time; he wore a comical rubber mask of the American statesman Donald Rumsfeld and carried a back-scratcher in his hand. Eleven years had done nothing to lighten his mood; on the contrary, he sounded more frightened and belligerent than ever. He was very unhappy about his feature on Coast to Coast and regrets getting involved. He is highly critical of Rocket and their treatment of him. He also very vocally rebukes the UFOlogy community for what he sees as their lack of proper investigation into the matter, unfairly I think; and for their selfishness and egotism in promoting themselves personally. It's strange because Victor expresses both annoyance at people for not debunking his video at the same time that he boasts about how nobody has managed to debunk it. Later on in the interview Victor becomes unwell; he begins panting and spluttering. He pauses and bends down, in an appropriately similar manner to the alien in the footage. He then goes on to talk about figures in government who are behind the UFO agenda. Victor says that Dick Cheney, who was the vice-president at the time, knows everything. Donald Rumsfeld was a "bombastic clown". This is interesting regarding Victor's disguise; is it implying that Rumsfeld was nothing but a pawn having his back scratched by those higher up who know everything? He regards President Bush as an ignorant puppet; perhaps today President Obama is the same. He then says that his "container has reached its expiration date" which implies in the alien context that he is terminally ill. Then in a chilling tone he predicts the end of the world very soon, but doesn't elaborate how this might happen. He does tell us that it will happen before the year 2017 and that it is directly connected to the relationship between human leaders and the aliens at S4. Victor ends with a quote from the 1st century Greek philosopher Strabo which sums up his mindset at the time: "When I am gone let earth and fire mix, it will mean nothing to me." Rocket released the new interview as part of a special edition DVD which includes both the original 1997 documentary and the 2008 interview, the edition linked above, plus bonus features. It received moderate and limited attention; after all it's just one more alien autopsy film, right?That was pretty much where the situation remained for the next five years; still nothing more surfaced; Victor's latest appearance led nowhere. If his self-prognosis is correct then he must have passed away quite a while ago. Then in 2013, from across the Atlantic, Andrew Burlington a man from London began releasing material onto YouTube that reawakened the debate. Operating under the webname "Victor Nevada", Burlington uploaded a series of multiple videos to his channel TheAlienInterview, see: https://www.youtube.com/user/TheAlienInterview. I was contacted personally by Andrew Burlington and he sent me a special DVD of additional material that has contributed to this article. After a painstaking frame-by-frame analysis, the first thing he points out is something missed by Jim Dilettoso, John Criswell and Rick Baker. The eyes of the being in the video change shape; they're not fixed as they would be on a dummy, but dilate and contract as if the creature has working eyelids. I'm not sure if this means the being is capable of closing its eyes like a terrestrial vertebrate can, but it does appear to have some kind of musculature in its forehead and eye sockets. This kind of effect can be simulated in a model using robotic attachments called "animatronics", rather like the model of the girl's head in the movie The Exorcist; but this is extremely difficult to do properly and very expensive, especially if the effect is to be believable. It's beyond the capabilities of anybody but a professional film studio. When the medics bring out their penlights we see the creature's shoulders, upper arms and torso for the first time and it appears to be able to move those too, albeit very feebly. It shrugs its right shoulder slightly when the man lays his hand on it. Burlington has also confirmed the presence of the red fluid issuing from the entity's nose and mouth. The eyes move when the medics shine the penlight into the them too, as if the creature's eyes are reacting to the sudden increase in light. It also appears to have reflexes that respond to the environment around it. The movement of the mouth is also more pronounced than was previously thought. The researcher Sean David Morton found the electronic instrument with the pulsating light interesting; the pulse changed at exactly the right time as the creature became distressed. This would be hard to synchronize if it were a puppet. If this device is some kind of medical monitor for the being's heart, or whatever else it has that might be similar to a heart, then it responds directly to every change in the creature's condition. Jaime Maussan showed the footage to a cardiologist who agreed that the film was real for that reason; if the being were a puppet how could the operator synchronize their own movements with the light pulse? I wrote to Sean David Morton while preparing this review and he comments thus: "I was there at the START of the STORY! I am convinced the film is COMPLETELY REAL, and even those who thought it was not, said that even a HOAX this good would cost hundreds of thousands of dollars. THE HEART MONITOR IN THE BACK IS THE KEY! It has an ALIEN HEARTBEAT and is PERFECTLY SYNCHED with every action on the screen". Burlington also picks up on an error made by Dilettoso in the first investigation. Dilettoso claims that the original footage, which the video was copied from, was shot on film; this contradicts Victor's statement when he said that the film was all digitally recorded onto video tape. The reason Dilettoso thinks this is because of the two square lights in the background. He says that these are TV screens and if a video shot includes a TV screenover you get an effect of "Moire patterns", radiating interference lines on the image. I would ask firstly why he assumes these square lights are TV screens. I can't tell what they are; my first thought was that they were little windows. But even if they were TV screens, Burlington has spotted another problem. When the medics burst in you'll see that one of them moves in front of one of the "screens". The only way this is possible is if the footage is being shot through a glass panel and the square light is actually a reflection off the glass of something behind the camera. If so then this would back up Victor's testimony because he did say that there was a glass partition between the place of filming and the chamber the containing the alien. There's also a tantalizing link in the appearance of the alien itself. According to some leaked documents discovered by Tony Dodd, the South African Air Force shot down an unidentified flying object on the 7th of May 1989. This object came to grief in the Kalahari Desert just over the border in Namibia and it was secretly salvaged by the military; and then transported to the United States, the inevitable end to any such event it seems. The craft had two alien beings on board whose description match the creature in Victor's film, the terracotta skin, the big black eyes, the gourd-shaped head with bulbous protrusions at the back and sides. Burlington has also found marks on the head which could match the injuries sustained during the crash, as the South African documents reveal. This could also explain the entity's poor health. What's more Victor said that these creatures arrived at S4 in 1989, the same year as the Kalahari crash. It could be argued that Victor made the story up by getting his information from simply reading Tony Dodd's book, Alien Investigator, where Dodd first reveals this information; the only problem is that this book wasn't published until 1999, three whole years after the Alien Interview tape came to light. One of Burlington's most significant breakthroughs is something that might appear very obvious, he brightened up the image. It amazes me that Dilettoso didn't think of that, not least because it is the image in Dilettoso's own studio, screenovered in the 1997 documentary, which formed the data source for Burlington's research. This makes me suspicious of Dilettoso; how incompetent can one be by accident? Or was he censored? What Dilettoso and Burlington have both done is brighten the image enough so that some features that are normally shrouded by darkness are now visible. We can see the upper body of the creature quite distinctly as well as the edge of the table, the pulsating light instrument and more of the other equipment on it. We can see that one of the people sitting in the foreground has a patch on their sleeve and an epaulette indicating that it's a military uniform. However, most important of all, we can see no other people in the scene. Rick Baker said that the alien is definitely a large glove puppet, so where's the puppeteer? There is nobody sitting behind the being with his hand inside operating the head. There are no marionette strings; none can be seen at all even when the medics enter and shine their torches around the place.
What's more the medic's bodies would probably interfere with the strings even if they were there. So, as Sherlock Holmes said: "when you have eliminated the impossible, whatever remains, however improbable, must be the truth."For me the major smoking gun is the lack of confessions; again it's worth comparing Victor's Alien Interview to Ray Santilli's Alien Autopsy. As Philip Mantle details in his book, once the UFOlogists turned their prying eyes on the Autopsy film and its background, it didn't take long for Santilli's cards to fall to the table. The special effects designer, John Humphreys, whom Santilli had employed to build the fake alien body and props, came forward (he was also approached by Warner Brothers to work on their 2006 Alien Autopsy movie, what irony!), as did the butcher who supplied the meat that made up the dummy's innards. Almost as soon as the film had hit the screens a businessman called Spyros Melaris told Mantle that he had funded and organized the whole enterprise. If, shall we imagine for a moment, the Alien Interview video was also faked, why has the same not happened? The making of such a production must have been at least as intricate, expensive and demanding as the Santilli film. They'd have to find a rich investor to fund the project, a location big enough to build a studio and secluded enough not to arouse suspicion from neighbours etc. You'd need a large team of designers to build the puppet; a far more elaborate affair than the one Santilli laid out on that table in Camden Town. This had to move, it needed animatronic fittings. There were props like the light pulse machine and the screens. There were the costumes, Victor's disguises and medical uniforms. The cast of at least five people, as opposed to Santilli's three, would have had to rehearse many times and it would only have been after a number of takes that they could have got it right. So where are they? There must have been a considerable number of people involved; why have not one of them spoken out? It really is a baffling conspiracy of silence when you consider how lucrative the "I fooled the world!" meme is nowadays. It has certainly set Santilli and Shoefield up for life. This means that a large group of people are not only sitting on a secret, they're sitting on a goldmine. Why? As John Criswell admitted, the designer of the puppet could have got a job in Hollywood easily; why haven't they? Or maybe they have; in which case they'd want an achievement like the Interview on their CV. And weren't they tempted at some point to brag about it to one of their chums at a drunken late night party in Beverly Hills? The world of the movie special effects industry is not a community of millions; most people in it must know most others. Could they really keep a secret that big? No, nothing has come out at all about the Alien Interview; nothing but a stunned, dumb, curious silence. Despite all the investigations not a single clue has been so much as glimpsed that might expose the hoax. On the contrary, all the research so far has led in the other direction, towards the likelihood that the video is genuine; it really is a film of an alien, and it really was smuggled out of Area 51 just like Victor said it was. So if this is a real alien video what does that mean? We've pretty much reached an impasse; where do we go from here? All we have are the words of "Victor": electronically altered, anonymous, evasive. And the video itself: mute, enigmatic, provoking. This stalemate is really caused by the governments of the world's policy towards UFO's; they're to be kept secret from the public at all costs, classified higher than the H-bomb, as Wilbert Smith said. Progress to reveal the truth about the Alien Interview must now be part of the greater strategic effort to gain full Disclosure on everything to do with extraterrestrials,
see: http://hpanwo-radio.blogspot.co.uk/2014/11/programme-113-podcast-stephen-bassett.html. New information is emerging every day, like the recent revelations of the old man known as "Agent Kewper" who mentions S4 and the aliens there, see: http://vimeo.com/64939351. In the face of all this the authorities obstinately stick to their story: "Thank you for signing the petition asking the Obama Administration to acknowledge an extraterrestrial presence here on Earth. The US government has no evidence that any life exists outside our planet, or that an extraterrestrial presence has contacted or engaged any member of the human race. In addition, there is no credible information to suggest that any evidence is being hidden from the public's eye." (Source: http://www.paradigmresearchgroup.org/main.html) In order to maintain such a simple and brazen falsehood it's likely that the government uses a full spectrum of espionage and psychological warfare. This includes disinformation, the positive seeding of inaccurate and deceptive material to distract and confuse the target. This inevitably brings us back to Ray Santilli's Alien Autopsy. According to Philip Mantle, Santilli was something of a wheeler-dealer who simply wanted to earn a few bob. He had no interest in UFO's and the paranormal; he just thought that the mythology of Roswell was a lucrative market to exploit. Mantle knows Santilli and doesn't suspect him of any deeper wrongdoing. I've never even met Ray Santilli and have no direct evidence at all to suggest what I'm about to, but I offer it as a vague hypothesis based on circumstantial evidence. You might have noticed it's something I've been hinting at throughout this article. Is there some way the Alien Autopsy film was created as a piece of disinformation? Or if not created, does it owe its success to an intelligence operation streamlining its path to publicity because it happened to be the right kind of material to use as disinformation? For what purpose? For the purpose of distracting and repelling people from the Alien Interview, and possibly other similar real alien videos. You might wonder how this is possible or how that would work. It's easiest to understand if you pretend for a moment that the Alien Autopsy film had never existed; the chances are that the Interview would have received far more attention from the media and the public. Instead it was drowned out by the clamour of hype surrounding the Autopsy. The Autopsy was patently bogus; everybody with any knowledge on the subject worked that out very soon after day one. However as the slow, sweet, agonized train wreck of its demolition took place under the floodlights and TV cameras of the world a very important cultural and psychological concept was being implanted in the collective human mind: a simple equation: alien video = fake video. This meant that the few members of the public who did encounter the Interview would have turned away without a second look; "It's alright Marjorie, it's just another of those silly contrived space alien things students get up to, switch over to the EastEnders would you?" The people of the world could have had access to a really interesting and... yes, I'll say it... probably genuine video of a secret interview with an alien, and instead they got a transparent farce of a rubber mannequin filled with offal and two amateurish fools in beekeepers suits plodding round it. At this point somebody is probably getting ready to leave a comment explaining to me an obvious flaw in my hypothesis, that the Autopsy was released a year before the Interview. How did the instigators of the disinformation campaign know in advance that the Interview was about to emerge? Well, in that case you assume the Interview footage was stolen very soon before Victor's debut. I'm sure the authorities didn't know when, or even if, Victor was going to go public with his scoop, but they may well have already known that the footage was missing and that Victor had absconded; they would therefore have feared exactly what was about to happen and taken precautionary steps in advance to mitigate its impact. We don't know how long Victor had been sitting on his secret before he called Rocket Pictures; perhaps for over a year. What's more I suspect that the Autopsy might have been made not only specifically to cover up the Interview, but also to be ready in case other similar materials were leaked. A few years before the Autopsy came out the Cold War ended. Despite all Mikhail Gorbachev's efforts to restructure it, the Soviet Union collapsed; it was formally disbanded in December 1991 at which point the KGB, its famous intelligence service, was closed forever. The authorities knew very well that within the KGB's vaults lay millions of highly classified files relating to all kind of sensitive subjects, including UFO crash-retrievals that had taken place over the years in the USSR's vast territory; like this one which I think is very persuasive: https://www.youtube.com/watch?v=0JAtIzZy0H0. They knew very well that the haemorrhage of these files was impossible to stop in the chaos of the transition to the new Russia and that all that information would end up on the black market where anybody could get hold of one of the files for the right price. The motivation for the Autopsy might have been to head that problem off at the pass. This year marks the twentieth anniversary of Ray Santilli's Alien Autopsy film and a number of events have been planned to commemorate it, including new books, films and public meetings. This could be an opportunity for the Alien Interview to reclaim its rightful place, one that the Autopsy usurped, after all it's only one more year after that for the Interview's second decade (hopefully Victor is wrong about his Armageddon). Or will the original distracting hype about the Autopsy simply be refreshed for a new offensive? The new Disclosure attempts by Stephen Bassett and others, see radio show above, could make it a vital tactic against us. There's no way to know for sure now, but I'm interested to find out and hope very much that the Alien Interview's time is come. Thanks very much to all the researchers involved, especially Sean David Morton and, more recently, Andrew Burlington.
CONTRACTOR SNAPS GREAT UFO PHOTO OVER ENGLAND DECEMBER 30, 2014 …… BEXLEYHEATH UNITED KINGDOM
A Swanley contractor claims to have seen UFOs over Bexleyheath – almost 60 years after a flying saucer reportedly landed nearby. Tony Histed, who lives off London Road, pictured a saucer-shaped object in the sky around 11.20 pm on December 30. He said: “I just looked up and there it was, then it just shot off – it didn’t make a noise.” Tony Histed relives the moment he saw lights in the sky in Bexleyheath. In September last year, the contractor was working at building site off Briarfield Close when he first saw strange lights in the sky above King Harold’s Way during the onset of a thunderstorm.
He said: “As I was walking out of the site, I noticed a bright light in the sky to the east I stopped and watched it as it came across the sky towards the storm.”One more appeared in front of it, and they both flew silently on into the oncoming storm. ” I went back to the site and when I got there I went up on the scaffolding when this orb came up off the ground followed by another orb. “They then levelled off and flew to the north east, the last one split into two and the re-joined again and then they disappeared.”
The 51-year-old was shocked to find out that King Harold’s Way is famous in UFO-circles for a reported sighting in 1955. More than 30 people reportedly claimed seeing a circular craft with eight suckers hovering above the ground. Since then Bexleyheath has been listed as one of the top 10 UFO areas by expert and author Nick Pope. Mr Histed added: “When I looked on the map I saw that I was over looking the landing sites, it was just down the road from where I was delivering. “Now is this a coincidence or what?”
Beste bezoeker, Heb je zelf al ooit een vreemde waarneming gedaan, laat dit dan even weten via email aan Frederick Delaere opwww.ufomeldpunt.be. Deze onderzoekers behandelen jouw melding in volledige anonimiteit en met alle respect voor jouw privacy. Ze zijn kritisch, objectief maar open minded aangelegd en zullen jou steeds een verklaring geven voor jouw waarneming! DUS AARZEL NIET, ALS JE EEN ANTWOORD OP JOUW VRAGEN WENST, CONTACTEER FREDERICK. BIJ VOORBAAT DANK...
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Over mijzelf
Ik ben Pieter, en gebruik soms ook wel de schuilnaam Peter2011.
Ik ben een man en woon in Linter (België) en mijn beroep is Ik ben op rust..
Ik ben geboren op 18/10/1950 en ben nu dus 73 jaar jong.
Mijn hobby's zijn: Ufologie en andere esoterische onderwerpen.
Op deze blog vind je onder artikels, werk van mezelf. Mijn dank gaat ook naar André, Ingrid, Oliver, Paul, Vincent, Georges Filer en MUFON voor de bijdragen voor de verschillende categorieën...
Veel leesplezier en geef je mening over deze blog.
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