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De Deense dichteres, schrijfster en essayiste Inger Christensen werd geboren op 16 januari 1935 in de stad Vejle aan de oostkust van Jutland. Inger Christensen overleed op 2 januari jongstleden. Zie ook mijn blog van 16 januari 2008.
Up they soar
Up they soar, the planet's butterflies,
pigments from the warm body of the earth,
cinnabar, ochre, phosphor yellow, gold
a swarm of basic elements aloft.
Is this flickering of wings only a shoal
of light particles, a quirk of perception?
Is it the dreamed summer hour of my childhood
shattered as by lightning lost in time?
No, this is the angel of light, who can paint
himself as dark mnemosyne Apollo,
as copper, hawkmoth, swallowtail.
I see them with my blurred understanding
as feathers in the coverlet of haze
in Brajcino Valley's noon-hot air.
Uit: Alphabet (fragment)
7
given limits exist, streets, oblivion
and grass and gourds and goats and gorse,
eagerness exists, given limits
branches exist, wind lifting them exists,
and the lone drawing made by the branches
of the tree called an oak tree exists,
of the tree called an ash tree, a birch tree,
a cedar tree, the drawing repeated
in the gravel garden path; weeping
exists as well, fireweed and mugwort,
hostages, greylag geese, greylags and their young;
and guns exist, an enigmatic back yard;
overgrown, sere, gemmed just with red currants,
guns exist; in the midst of the lit-up
chemical ghetto guns exist
with their old-fashioned, peaceable precision
guns and wailing women, full as
greedy owls exist; the scene of the crime exists;
the scene of the crime, drowsy, normal, abstract,
bathed in a whitewashed, godforsaken light,
this poisonous, white, crumbling poem
Vertaald door Susanna Nied
Inger Christensen (16 januari 1935 2 januari 2009)
De Amerikaanse schrijfster en essayiste Susan Sontag werd geboren op 16 januari 1933 in New York. Zie ook mijn blog van 16 januari 2007 en ook mijn blog van 16 januari 2008.
Uit: In America
It felt like, an escapade; like leaving home; like telling lies -- and she would tell many lies. She was beginning again; she was rejoining her destiny, which conferred on her the rich sensation that she had never gone astray.
Maryna arrived in the city in late June. Her skin had forgotten San Francisco's brisk maritime climate, she had let slip from her mind the noble bay and ocean views, fog permitting, from the top of the steep streets in the heart of the insouciantly planned city, but she recalled every detail of the wide, pillared entrance to the building below Nob Hill on which all her desires were trained.
Bogdan had arranged for Maryna to stay with old Captain Znaniecki and his wife. A respectable woman temporarily severed from her family would hardly want to live on her own. The Znanieckis had been chosen because they were kindly and protective, and because the Captain had married an American, so Maryna would not be speaking Polish all the time. Further, Znaniecki, a senior surveyor and title searcher with the Land Office, apparently knew everybody from members of the Bohemian Club to the governor of the state - and it would take concerted lobbying to secure an audition with the formidable Angus Barton, the California Theatre's manager in charge of the stage. The morning after her arrival, Maryna had walked over to Bush Street and slipped into the theatre. Like a gladiator whom bravado and fear have lured to the last row of the empty stadium the day before the game, high above the arena's neatly raked, un-bloodied sand, Maryna entered one of the boxes for a view of the red velvet curtain and the width of the peacefully darkened stage. But the stage was not dark: a rehearsal was under way. A tall, stooped man dressed in black had bounded from his seat in the tenth row and was rushing down the aisle: she wondered if he could be Barton. "Don't tell me you'll be 'all right' this evening," he shouted at one of the actors. "If there's anything I hate, it's that. If you're ever going to be 'all right,' you can be 'all right' now." Yes, that must be Barton.
Susan Sontag (16 januari 1933 28 december 2004)
De Duitse schrijver Reinhard Jirgl werd op 16 januari 1953 in Oost-Berlijn geboren. Zie ook mijn blog van 16 januari 2007 en ook mijn blog van 16 januari 2008.
Uit: Hundsnächte
Als diese Dörfler nicht abließen, sondern in ihrem Gefuchtel & Gebrüll eher noch sich steigerten - wollten sie uns ?warnen -, stellte ein Fahrer nach dem andern schließlich den Motor seines Fahrzeugs ab, stieg aus & ging langsam auf den wirren Haufen Leute zu, die, schien es, nichts anderes zu tun hatten, als in dieser 1öde aufgeregt durcheinander zu laufen, die Stille mit ihrem Geschrei zu vergiften & dazu mit Armen & Händen zu fuchteln wie ein riesiges auf den Rücken gefallenes Insekt. -:?Warnung, doch Warnung ?wovor: ?Was soll denn sein mit der Hand voll Ruinen, ehemaliger Stallungen Schuppen Wohnhäuser, viele schon Damals bei der Zwangsevakuierung dieser Ortschaft bis zur Unkenntlichkeit geschliffen, 1 Ort, wie es hieß, den sowohl der Dreißigjährige, der napoleonische Krieg wie auch die Rote Armee nur aus dem 1fachen Grund verschonten, weil all=die Armeen ihn, diesen Ort, eingesunken schon damals in Buschwerk & von Wald wie von großen Armen schützend umhegt, nicht gefunden hatten - , und erst mit dem Aufrücken von Heerscharen östlicher Bürokratie, die 2 Mal ihr Grenzgebiet Deutschland gegen Deutschland neu gezogen - Aktionen von Ungeziefer bis Kornblume -, hatten schließlich auch diesen Ort & besser als in acht Jahrhunderten jeder Söldnerhaufen, innerhalb von 8 Jahren zum Verschwinden gebracht; Ruinen, zu Ruinen verfallen -, Restegemäuer von einem vor Jahrzehnten evakuierten Dorf inmitten der 1öde, von Schlingpflanzen Baumwerk Weinranken & Büschen im Griff wie unter einer unendlich langsam sich schließenden Faust, Holunderblüten im Dunkel, fahle Nägel & Krallen an den Klauen pflanzlicher Wesen, die mit der unfassbaren Geduld aller Pflanzen auf das Verschwinden von Zeit lauern, Zeit, die sie, die Pflanzen, seit Anbeginn in Bann geschlagen hält, um dann im Augenblick des Lösens von dieser Fessel in 1 Explosion von Wachstum vorschnellend über die schäbigen Gemäuerreste u die gesamte Landschaft herzufallen, der Menschen u der übrigen Albträume sich bemächtigend, dies=Alles wie Knüllpapier von-sich schleudern würden, um an anderer Stelle, wo solcherart Leben dann hingeworfen wäre, Alles schon Getilgte, Weggeworfne & Zerstörte mit der den Pflanzen eigenen, chlorophyllhaften Geduld noch 1 Mal von-vorn beginne zu lassen - :?
Reinhard Jirgl (Oost-Berlijn, 16 januari 1953)
De Australische schrijver en essayist Brian Castro werd geboren op 16 januari 1950 in Hongkong. Hij is van gemengde Portugese, Chinese en Engelse komaf. Van 1968 tot 1976 studeerde hij aan de universiteit van Sydney, waar hij in 1970 een prijs won in een verhalenwedstrijd. Castro werkte in Hongkong, Australië en Frankrijk als leraar en schreef enkele jaren voor Asiaweek. Hij debuteerde in 1982 met Birds of Passage.
Uit: Shanghai Dancing
So my father looks out across the Whangpoo and the Soochow and it is already midday, 1932. He bathes in tepid water, rinsing and wincing at a pain in his genitals and donning his cream linen suit and knitted tie, repairs for brunch in the hotel restaurant. He plans his trip next season, on the President Line, to Vancouver, maybe the Great Lakes and home via Japan. Calls for the candlestick telephone and rings his friends. Waves for a car and he's on his way to the Cercle Sportif where he meets Joao and Meme and Carlinho da Silva and two French girls and they play tennis and swim for an hour or so. Tiffin at three at the American Club and then a few rounds of ten-pin along polished alleys tingling with wax and the layered air of ripe cigars. Then a siesta in the Reading Room with the day's paper upon his face, stuttered breath calibrating the hard canons of perfect billiard shots until the Boy wakes him at six for a shave, massage and then back to the Cathay to change for a tea-dance the Sassoons are holding; a casual slow-waltzing affair before cocktails out on dappled verandahs marking dates for future business. By nine it's drinks on board his launch, jokes rippling across the water while they snack on crisp Peking duck folded into crepes, Meme tossing his Moet over the transom on account of his cirrhosis. But death, too, passes by ten when the cabarets are starting to jump. So onto the Ambassador, then the Canidrome, or perhaps the Venus Cafe and then by rickshaw convoy to back-street speak-easies, the high class, low class and no class at all, each boasting of hostesses at a dollar a dance for taxi-dancing. The wheedling voice of the Maitre'D: Take your choice; that wide-eyed one, Small-bird, her name, she pines for you. So he lavished upon her ten books of tickets. Early next morning, he rolls home to the Cathay smelling of perfume and women and orders from the lingerie shop a boxed set of silken underwear and a bouquet of roses to be sent up to the Avenue Joffre. Then it all begins again. Midday; the opera glasses; all this work. Shanghai-dancing.
Brian Castro (Hongkong, 16 januari 1950)
De Braziliaanse schrijver, theaterproducent, talk show host, acteur, schilder en musicus Jô Soares werd geboren op 16 januari 1938 in Rio de Janeiro. Hij kreeg zijn opleiding in Zwitserland en in de VS en ging daarna terug naar Brazilië waar hij voor Rio TV ging werken. Van 1988 tot 1999 had hij een talkshow bij SBT. In 2000 nam hij zijn format (te vergelijken met David Letterman) mee naar Rede Globo. Zijn eerste roman O Xangô de Baker Street schreef hij in 1995. In 2000 werd hij verfilmd.
Uit: Twelve Fingers: Biography of an Anarchist
Dimitri senses that the two are nervous. Parts of the conversation among the trio were later written down by Mohammed and extracted from his Notebook of a Muslim Anarchist, discovered in a drawer upon his death, in 1940, in the house where he worked as a gardener:
"So, where've you been keeping yourself?" asked Cubrilovic, sitting down beside him.
I noticed immediately that the youth was bothered by our presence. He was almost a boy. He couldn't be any older than Vaso, who was seventeen.
"Oh, around," he answered, changing the subject.
I felt a certain apprehension in him. I pulled up a chair and sat down directly opposite him. Vaso introduced me:
"This is Mohammed Mehmedbasic. Mohammed, I'd like you to meet my friend Dimitri Borja Korozec. We're both students at the Gymnasium, and I can guarantee you he's the clumsiest person in the
world," said Cubrilovic, laughing nervously, without hiding his agitation over what was about to happen.
Every few minutes he would glance at the door and check his watch. He wouldn't be able to keep the plan secret much longer. I tried to get him away from there, but it was too late. He told everything, looking Dimitri in the eye.
José Soares (Rio de Janeiro, 16 januari 1938)
De Amerikaanse dichter Anthony Hecht werd geboren op 16 januari 1923 in New York. Hecht studeerde Engels maar moest zijn studie onderbreken toen hij in 1944 werd opgeroepen om te dienen in het leger. Een van zijn opdrachten was om in 1945, bij de bevrijding van het kamp Flossenbürg, gevangenen te interviewen. Deze opdracht heeft veel invloed gehad op zijn werk, mede doordat hij zelf joods was. Dichter Hecht debuteerde in 1954 met de bundel 'A Summoning of Stones'. In de loop van zijn leven ontving hij vele prijzen waaronder de Pulitzer Prize voor poezie in 1968 voor zijn bundel 'The Hard Hours'.
Curriculum Vitae
As though it were reluctant to be day,
.......Morning deploys a scale
.......Of rarities in gray,
And winter settles down in its chain-mail,
Victorious over legions of gold and red.
......The smokey souls of stones,
......Blunt pencillings of lead,
Pare down the world to glintless monotones
Of graveyard weather, vapors of a fen
.......We reckon through our pores.
.......Save for the garbage men,
Our children are the first ones out of doors.
Book-bagged and padded out, at mouth and nose
.......They manufacture ghosts,
.......George Washington's and Poe's,
Banquo's, the Union and Confederate hosts',
And are themselves the ghosts, file cabinet gray,
.......Of some departed us,
.......Signing our lives away
On ferned and parslied windows of a bus.
Saul And David
It was a villainous spirit, snub-nosed, foul
Of breath, thick-taloned and malevolent,
That squatted within him wheresoever he went
.......And possessed the soul of Saul.
There was no peace on pillow or on throne.
In dreams the toothless, dwarfed, and squinny-eyed
Started a joyful rumor that he had died
.......Unfriended and alone.
The doctors were confounded. In his distress, he
Put aside arrogant ways and condescended
To seek among the flocks where they were tended
.......By the youngest son of Jesse,
A shepherd boy, but goodly to look upon,
Unnoticed but God-favored, sturdy of limb
As Michelangelo later imagined him,
.......Comely even in his frown.
Shall a mere shepherd provide the cure of kings?
Heaven itself delights in ironies such
As this, in which a boy's fingers would touch
.......Pythagorean strings
And by a modal artistry assemble
The very Sons of Morning, the ranked and choired
Heavens in sweet laudation of the Lord,
.......And make Saul cease to tremble.
Anthony Hecht (16 januari 1923 20 oktober 2004)
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