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Berichten van 25 maart 2013 tot 26 maart 2013

Gregory Corso, Tennessee Williams, Hwang Sun-won, Martin McDonagh, Robert Frost, Erica Jong

De Amerikaanse dichter Gregory Corso werd geboren in New York op 26 maart 1930. Zie ook alle tags voor Gregory Corso op dit blog.

 

 

To a downfallen rose

 

When I laid aside the verses of Mimnermus,
I lived a life of canned heat and raw hands,
alone, not far from my body did I wander,
walked with a hope of a sudden dreamy forest of gold.
O rose, downfallen, bend your huge vegetic back;
eye down the imposter sun...in winter dream
sulk your rosefamed head into the bile of golden giant,
ah, rose, augment the rose further still!
whence upon that self-created dive in Eden
you blossomed where the Watchmaker of Nothingness
lulled,
your birth did cause bits of smashed night to pop,
causing my dreamy forest to unfold.
Yes, and the Watchmaker, his wheely-flesh
and jewelled-bones spoiled as he awoke,
and in the face of your Somethingness, he fled
waving oblivious monks in his unwinded hands.
The sun cannot see upheaved spatics, the tennis of Venus
and the court of Mars sing the big lie of the sun,
ah, faraway ball of fur, sponge up the elements;
make clear the trees and the mountains of the earth,
arise and turn away from the vast fixedness.

Rose! Rose! my tinhorneared rose!
Rose is my visionic eyehand of all Mysticdom
Rose is my wise chair of bombed houses
Rose is my patient electric eyes, eyes, eyes, eyes,
Rose is my festive jowl,
Dali Lama Grand Vicar Glorious Caesar rose!

When I hear the rose scream
I gather all the failure experiments of an anatomical empire
and, with some chemical dream, discover
the hateful law of the earth and sun, and the screaming
rose between.

 

 

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Gregory Corso (26 maart 1930 – 17 januari 2001)

 

 

 

 

De Amerikaanse schrijver Tennessee Williams (eigenlijk Thomas Lanier Williams) werd geboren in Columbus (Mississippi op 26 maart 1911. Zie ook alle tags voor Tennessee Williams op dit blog.

 

Uit: Cat on a Hot Tin Roof

 

“MARGARET: Why, you know what they're up to!

BRICK [appearing]: No, I don't know what they're up to.

[He stands there in the bathroom doorway drying his hair with a towel and hanging onto the towel rack because one ankle is broken, plastered and bound. He is still slim and firm as a boy. His liquor hasn't started tearing him down outside. He has the additional charm of that cool air of detachment that people have who have given up the struggle. But now and then, when disturbed, something flashes behind it, like lightning in a fair sky, which shows that at some deeper level he is far from peaceful. Perhaps in a stronger light he would show some signs of deliquescence, but the fading, still warm, light from the gallery treats him gently.]

 

 

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Paul Newman en Elizabeth Taylor in Cat on a Hot Tin Roof (1958)

 

 

MARGARET: I'll tell you what they're up to, boy of mine!-They're up to cutting you out of your father's estate, and-

[She freezes momentarily before her next remark. Her voice drops as if it were somehow a personally embarassing admission.]

-Now we know that Big Daddy's dyin' of-cancer....

[There are voices on the lawn below: long-drawn calls across distance. Margaret raises her lovely bare arms and powders her armpits with a light sigh.

[She adjusts the angle of a magnifying mirror to straighten an eyelash, then rises fretfully saying:]

There's so much light in the room it-

BRICK [softly but sharply]: Do we?

MARGARET: Do we what?

BRICK: Know Big Daddy's dyin' of cancer?

MARGARET: Got the report today.

BRICK: Oh ...

MARGARET [letting down bamboo blinds which cast long, gold-fretted shadows over the room]:

Yep, got th' report just now ... it didn't surprise me, Baby.... “

 

 

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Tennessee Williams (26 maart 1911 – 25 februari 1983)

 

 

 

 

De Zuid-Koreaanse dichter en schrijver Hwang Sun-won werd geboren op 26 maart 1915 in Taedong, Zuid-Pyongan, in het hedendaagse Noord-Korea. Zie ook alle tags voor Hwang Sun-won op dit blog.

 

Uit: A Shower (Vertaald door broeder Anthony van Taizé)

 

„As soon as the boy saw the girl beside the stream, he realized that she must be the great-granddaughter of Master Yun. She had her hands in the water and was splashing it about. Probably she had never seen a stream like that in Seoul.
She had been playing with the water in the same manner for several days now, on the way home from school. Until the previous day she had played at the edge of the stream, but today she is right in the middle of the stepping-stones.
The boy sat down on the bank. He decided to wait until she got out of the way.
As it happened, someone came along and she made way.
The next day, he arrived at the stream a little later. This time he found her washing her face, sitting there in the middle of the stepping-stones. In contrast to her pink jumper with its sleeves rolled up, the nape of her neck was very white.
After washing her face for a while, she stares intently into the water. She must be looking at her reflection. She makes a sudden grab at the water. Perhaps some baby fish were swimming by.
There is no knowing if the girl is aware or not of the boy sitting on the bank as she goes on making nimble grabs at the water. But each time to no effect. She simply keeps grabbing at the water as if for the sheer fun of it. It looks as though she will only get out of the way if there’s someone crossing the stream, as on the previous day.
Then she plucks something from the water. It was a white pebble. After that, she stands up and goes skipping lightly across the stepping-stones.
Once across, she turns round : " Hey, you."

 

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Hwang Sun-won (26 maart 1915-14 september 2000)

 

 

 

 

De Engels-Ierse schrijver en regisseur Martin McDonagh werd geborenop 26 maart 1970 in Camberwell, Londen. Zie ook alle tags voor Martin McDonagh op dit blog.

 

Uit: The Lieutenant of Inishmore

 

“Scene One

A cottage on Inishmore1 circa 1993. Front door in centre of back wall, a window to its left and right. Exit stage left to a bathroom, unseen, an open area forward right to signify another room. A clock somewhere on back wall along with a framed piece of embroidery reading ‘Home Sweet Home’. Cupboards left and right, a telephone on one of them. A couple of armchairs near the back wall and a table centre, on which, as the play begins, lies a dead black cat, its head half missing. Donny, the middle-aged owner of the house, and Davey, a long-haired, slightly pudgy neighbour of seventeen, stand staring quietly at this cat for a few moments.

Davey Do you think he’s dead, Donny?

Pause. Donny picks up the limp dead cat. Bits of its brain plop out. Donny looks across at Davey and puts the cat back down again.

Donny Aye.

Davey He might be in a coma. Would we ring the vet?

Donny It’s more than a vet this poor feck needs.

Davey If he gave him an injection?

Donny (pause)     Have this injection, you!

Donny steps back and kicks Davey up the arse.

Davey(almost crying)   What was that fer?!

Donny How many times have people told you, hairing down that bastarding hill on that bastarding bicycle?

Davey I didn’t touch the poor fella, I swear it! In the road I saw him lying . . . !

Donny In the road me arsehole!”

 

 

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Martin McDonagh (Camberwell, 26 maart 1970)

 

 

 

 

De Amerikaanse dichter Robert Lee Frost werd geboren op 26 maart 1874 in San Francisco. Zie ook alle tags voor Robert Frost op dit blog.

 

 

An Old Man's Winter Night

 

All out of doors looked darkly in at him
Through the thin frost, almost in separate stars,
That gathers on the pane in empty rooms.
What kept his eyes from giving back the gaze
Was the lamp tilted near them in his hand.
What kept him from remembering what it was
That brought him to that creaking room was age.
He stood with barrels round him -- at a loss.
And having scared the cellar under him
In clomping there, he scared it once again
In clomping off; -- and scared the outer night,
Which has its sounds, familiar, like the roar
Of trees and crack of branches, common things,
But nothing so like beating on a box.
A light he was to no one but himself
Where now he sat, concerned with he knew what,
A quiet light, and then not even that.
He consigned to the moon, such as she was,
So late-arising, to the broken moon
As better than the sun in any case
For such a charge, his snow upon the roof,
His icicles along the wall to keep;
And slept. The log that shifted with a jolt
Once in the stove, disturbed him and he shifted,
And eased his heavy breathing, but still slept.
One aged man -- one man -- can't keep a house,
A farm, a countryside, or if he can,
It's thus he does it of a winter night.

 

 


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Robert Frost (26 maart 1874 – 29 januari 1963)

 

 

 

 

De Amerikaanse dichteres en schrijfster Erica Jong werd geboren in New York op 26 maart 1942. Zie ook alle tags voor Erica Jong op dit blog.

 

 

I Sleep With

 

I sleep with double pillows since you're gone.
Is one of them for you-or is it you?
My bed is heaped with books of poetry.
I fall asleep on yellow legal pads.

Oh the orgies in stationery stores!
The love of printer's ink & think new pads!
A poet has to fall in love to write.
Her bed is heaped with papers, or with men.

I keep your pillow pressed down with my books.
They leave an indentation like your head.
If I can't have you here, I'll take cold type-
& words: the warmest things there are-
but you.

 

 

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Erica Jong (New York, 26 maart 1942)

 

 


Zie voor nog meer schrijvers van de 26e maart ook
mijn blog van 26 maart 2012 deel 1 en eveneens deel 2.

Geschreven door Romenu om 16:56 Reageer op dit bericht

Paul Hoste, Flannery O'Connor, Jaime Sabines, Peter Van Straaten, Jacques Bens, Toni Cade Bambara

De Vlaamse schrijver Pol Hoste werd geboren in Lokeren op 25 maart 1947. Zie ook alle tags voor Pol Hoste op dit blog..

 

Uit: Neerlands Hoop

 

„Foto met de Aap

Mies Does Kees Lam Bok. Dat wel. Hok. Zo is het nog rustig. Lam Bok Hok. Maar Teun Gijs Koerd Turk, dat is al moeilijker.

Wat ik wel gaarne lees, dat is zo het gesproken Vlaams. Dat komt tegenwoordig weer wreed op in romans. En al. Zo in de literatuur. En in het Parlement. Het zou spijtig zijn moest dat verdwijnen. De mensen lezen al zo weinig. Zodus, ik laat u denken.

Monsieur, je vous prie de bien vouloir répondre à notre question sur la disparition de la langue néerlandaise en Europe. Wenn Sie darauf bestehen können Sie uns auch auf Deutsch über Ihre Meinung berichten. Schreiben Sie bitte deutlich.

Toen ik een paar jaar geleden in Holland op reis was sprak men er Engels. Ik kwam niet te weten of er Nederlands werd gesproken. ‘Yes,’ zei men. ‘Everyone here speaks Dutch.’ Ik denk wel dat iedereen daar Nederlands spreekt.

Maar ‘werkvrouw’, zegden ze, dat is toch schoonmaakster. ‘En een schoon bestaan,’ tikten ze onachtzaam de as van hun sigaret, ‘dat is toch de ruiten zemen.’ Ja, zei ik, en werkman of kraanman dat is kraanbestuurder of kraanvogel of vogelbestuurder. Het bonte chauffeurtje.

Nee, het reglement, denk ik. Ik denk dat het reglement zeker zou moeten bewaard blijven. Mies kan niet zonder Does. Aap niet zonder Cent. Veronderstel, zei ik, dat morgen zou blijken dat alle strafwetboeken verdwenen zijn, dan konden we elkaar uitmoorden. (Het zou me wat moois worden in de Balkan.)

‘Alsof,’ voegde ik daaraan toe, lachend mijn kookwas sorterend, ‘er geen wet meer zou bestaan omdat er nergens nog een wettekst kan worden gevonden.’ Ik begin wat ouder te worden en dus moreler. ‘Dat is niet voorzien in de wet’, zegden ze, ‘dat de wet er niet meer zou zijn.’

In de taal ook niet, dat de taal er niet meer zou zijn. Dat is niet voorzien. Intussen is de gesproken of de geschreven taal met alfabetten en ideogrammen echt wel een grap. Kees Lam Bok Hok. Om daar een woord of uitdrukking uit mee te nemen! Dan is die schedelverzameling heel leerrijk. A-pen.”

 

 

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Pol Hoste (Lokeren, 25 maart 1947)

 

 

 



De Amerikaanse schrijfster
Flannery O'Connor werd geboren op 25 maart 1925 in Savannah, Georgia. Zie ook alle tags voor Flannery O'Connor op dit blog.

 

Uit: The Habit of Being

 

„I think there is no suffering greater than what is caused by the doubts of those who want to believe. I know what torment this is, but I can only see it, in myself anyway, as the process by which faith is deepened. A faith that just accepts is a child's faith and all right for children, but eventually you have to grow religiously as every other way, though some never do.
What people don't realize is how much religion costs. They think faith is a big electric blanket, when of course it is the cross. It is much harder to believe than not to believe. If you fell you can't believe, you must at least do this: keep an open mind. Keep it open toward faith, keep wanting it, keep asking for it, and leave the rest to God.”

(…)

 

“The serious writer has always taken the flaw in human nature for his starting point, usually the flaw in an otherwise admirable character. Drama usually bases itself on the bedrock of original sin, whether the writer thinks in theological terms or not. Then, too, any character in a serious novel is supposed to carry a burden of meaning larger than himself. The novelist doesn't write about people in a vacuum; he writes about people in a world where something is obviously lacking, where there is the general mystery of incompleteness and the particular tragedy of our own times to be demonstrated, and the novelist tries to give you, within the form of the book, the total experience of human nature at any time. For this reason, the greatest dramas naturally involve the salvation or loss of the soul. Where there is no belief in the soul, there is very little drama. ”

 

 

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Flannery O'Connor (25 maart 1925 – 3 augustus 1964)

 

 

 

 

 

De Mexicaanse dichter en schrijver Jaime Sabines Gutiérrez werd geboren op 25 maart 1926 in Tuxtla Gutiérrez, Chiapas. Zie ook alle tags voor Jaime Sabines op dit blog..

 

 

 

IN THE MOUTH OF THE BONFIRE burn my days,

the dead leaves and dry grass that I am.

My soul feels like scorched earth.

Eyes: see nothing but the everyday ghosts.

Mouth: say nothing but the greeting, “Good evening,”

and, for weather: “A fine evening,” or “It’s pouring rain.”

Hands and fingers: go on gripping the desk,

the wine-glass, banknotes, and thighs.

Sole of my foot: you must walk the beaten path,

alongside the same cars, over the same ants.

Heart: devote yourself to your blood, and my lungs.

And you, dear stomach: digest whatever I fill you with.

Millwheel: we’re no strangers.

For you, my most beloved, most hated, I’ll be seeking out

the sweetest names

and secreting them in your ear with my tongue.

I want to fill your head with that foam of the sea.

I’m no good for anything but the birds.

God, my tree: let me fall from you like your shadow.

 

 

 

 

MY LOVE, MY DEAR, love suddenly

found in the oyster of death,

I want to eat with, be, love with you,

touch and watch you.

 

I tell myself, the blood pulsing

through my veins tells me,

and this pain and my shoes,

mouth and pillow, tell me so.

 

I love you, my dear love, absurdly,

foolishly, all lit up, head over heels,

rose-dreaming, conjuring stars; saying

goodbye to you walking beside you.

 

I love you from the pole on the corner,

from the carpet of that empty room,

on the warm sheets of your body

where a vase of poppies sleeps.

 

Long hair of the restless air,

river of night, dark banana grove,

blind beehive, unearthed love,

 

I’ll follow your footsteps upwards,

from your feet to your thigh to your rib.

 

Vertaald door Colin Carberry

 

 

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Jaime Sabines (25 maart 1926 – 19 maart 1999)

 

 

 

 


De Nederlandse cartoonist en striptekenaar
Peter van Straaten werd geboren in Arnhem op 25 maart 1935. Zie ook alle tags voor Peter van Straaten op dit blog..

 

 

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„Met deze ‚puinhoop‘ verdien ik toevallig wel mijn brood, ja?!“

 

 

 

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Peter Van Straaten (Arnhem, 25 maart 1935)

 

 

 

 


De Amerikaanse schrijfster en sociale activiste Toni Cade Bambara werd als Miltona Mirkin Cade geboren op 25 maart 1939 in New York. Zie ook alle tags voor Toni Cade Bambara op dit blog.

 

Uit: The Lesson

 

“So we heading down the street and she's boring us silly about what things cost and what our parents make and how much goes for rent and how money ain't divided up right in this country. And then she gets to the part about we all poor and live in the slums which I don't feature. And I'm ready to speak on that, but she steps out in the street and hails two cabs just like that. Then she hustles half the crew in with her and hands me a five-dollar bill and tells me to calculate 10 percent tip for the driver. And we're off. Me and Sugar and Junebug and Flyboy hangin out the window and hollering to everybody, putting lipstick on each other cause Flyboy a faggot anyway, and making farts with our sweaty armpits. But I'm mostly trying to figure how to spend this money. But they are fascinated with the meter ticking and Junebug starts laying bets as to how much it'll read when Flyboy can't hold his breath no more. Then Sugar lays bets as to how much it'll be when we get there. So I'm stuck. Don't nobody want to go for my plan, which is to jump out at the next light and run off to the first bar-b-que we can find. Then the driver tells us to get the hell out cause we there already. And the meter reads eighty-five cents. And I'm stalling to figure out the tip and Sugar say give him a dime. And I decide he don't need it bad as I do, so later for him. But then he tries to take off with Junebug foot still in the door so we talk about his mama something ferocious. Then we check out that we on Fifth Avenue and everybody dressed up in stockings. One lady in a fur coat, hot as it is. White folks crazy.”

 

 

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Toni Cade Bambara (25 maart 1939 – 9 december 1995)





De Franse dichter en schrijver Jacques Bens werd geboren op 25 maart 1931 in Cadolive (Bouches-du-Rhône). Zie ook alle tags voor Jacques Bens op dit blog.

 

 Trois Sonnets Irrationnels III

 
La charogne avancée fait du nez au vautour,
Mais. repu, le croqmort tire de l'aile autour
Du désert fulminant de sel et d'ébonite.

Ainsi, de mes débris tu t'éloignes gaiement.

Mon coeur sera bientôt cette blanche ammonite,
Coquille de calcaire à l'indécis contour,
Ramassée, rejetée, retrouvée tour a tour
Par les doigts lumineux d'un grave Sélénite

One mes divers debris enrichiront gaiement.

Je n'ai pas très envie que mon enterrement
Prenne un air de folklore an musée des espaces.
J'aimerais mieux vivre et mourir petitement
Entre les bras menus de ton gouvernement,
Loin de la Croix du Sud, du sable et des rapaces.

 

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Jacques Bens (25 maart 1931 – 26 juli 2001)

Cover

 

Zie voor nog meer schrijvers van de 25e maart ook mijn blog van 25 maart 2012 deel 2 en eveneens deel 3.

Geschreven door Romenu om 18:37 Reageer op dit bericht

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